To describe David Cronenberg’s latest work “Crimes of the Future” as mere body horror is to do it a small disservice.

Make no mistake, this picture is very much a return to the world of the grotesque, an area where Cronenberg is a master, but the film’s screenplay (written by the director) holds much more.

Along with Richard Pryor, George Carlin was a groundbreaker in the comedy world. As Judd Apatow and Michael Bonfiglio’s documentary “George Carlin’s American Dream” shows, the comedian had a comic vision of Nostradamus-like proportions.

The film digs deep and gets to the soul of Carlin’s philosophies. The man could be called a comedic prophet, as his political and

Paris-- The winners have been announced and they are as follows:

The Short Film Palme D'Or goes to Jinanying Chen for "The Water Murmurs"

Special mention in the short film category for "Lori" by Abinash Bikram Shah

Special mention: "Plan 75" by Hayakawa

CANNES, France – Talking heads, live performances, the requisite cautionary tale factor, rock biopics often check the boxes, it’s a genre and it functions well but it can be a bit by the book.

“All people, no matter who they are, all wish they’d appreciated life more. It’s what you do in life that’s important, not how much time you have. Or what you wish you’d done.

In this harrowing and timely film from France, Mouna Soualem is Hasma, a Muslim Parisian woman from a broken home trying to make her way in the world. She tries to bury her pain in drugs, nightclubs and disconnected sex, but then her eyes are drawn in by online videos calling on French Muslims to eschew Western values entirely—and to rise up violently. Loosely based on the story of a real person who became entangled with the terror plot that

CANNES, France -- “Triangle of Sadness” is a comedy about fashion, trends, social media influencers, how to set yourself apart but not too much, the enduring power of social hierarchies, the #metoo and virtue-signaling maelstroms.

The pitch for “Triangle of Sadness” goes like this: the film starts in the fashion world, then the action moves to a cruise ship to finally end on a deserted island, with a male and

Lately, it seems there’s been a change in attitude among some directors in the new generation of Persian filmmakers: through their films they’re more willing to show more, more of the dark underbelly of the beast. In films like “Tehran Taboo,” “A Girl Walks Home Alone at Night,” “Just 6.5,” themes and motifs, two shades darker than before, are explored: Iranian society has problems, much like any Western society, and the new generation