Critics have not been kind to “Empire of Light,” the film about cinema.  Sam Mendes’s film is not a “Cinema Paradiso” redux nor, I think, does it aim to be, but comes across as a more unequal treatment of what the medium gives us and has always given us, this immediate entry into our dreams, the world as we see it, remember it, as it affects us, the images that in certain films become so iconic as to define us to ourselves and sometimes make us see ourself within

Willem Dafoe is no stranger to unhinged performances. Perhaps that’s why he plays both creepy and villainous so damn well. But what if a filmmaker were to take that extraordinary talent and energy, and force the Oscar-nominated actor to act alone, essentially portraying a character who is penned up?

That’s the starting point for “Inside,” which sees Dafoe’s art thief Nemo become trapped

Cheech Marin loves sports, both in movies and real life. In 1996 he paired up with Kevin Costner for the golf romp “Tin Cup,” and in the weeks to come he will be seen in “The Long Game,” a real-life tale about a young Chicano golf team in Del Rio, Texas, in the fifties.

Meantime, Marin is co-starring with Woody Harrelson in “Champions,” a touching basketball comedy in which

Sylvester Stallone had a say in crafting Rocky Balboa’s character arc in the first “Creed” and co-wrote the screenplay for the sequel. Now comes “Creed III” to finish out the trilogy, and Stallone, both on screen and on the page, is missed sorely.

Michael B. Jordan understandably chose this picture for his directorial debut. While the film is worthwhile, generally, Jordan’s directorial

The drive-in theater, the sound was never great and the picture not the sharpest, airplane noise, roaring trains, right in the middle of a big scene, rain or thick fog. As April Wright’s wonderful documentary “Back to the Drive-In” reminds us, for those who remember their heyday, none of that mattered.

Wright’s film is sweet, sad, and informative, getting to the heart of what makes the

Festival season is in full swing, with some astonishing films that are sure to either be seen in a theaters or on a streaming platform soon. Here are six films from the Santa Barbara International Film Festival 2023 that you'll want to keep on your radar this spring:

"26.2 TO LIFE" Director: Christine Yoo: Amid the ongoing conversation about prison reform

Small and unexpected things can sometimes change your entire world.

Mordecai (Judd Hirsch) likes to fix things, but his phone is from twenty years ago and is held together with duct tape and tin foil. He’s worked his entire life as a plumber and a painter. But this is a story about the things he cannot fix, like getting older, the Alzheimer’s diagnosis of his wife Fela (Carol Kane), and his relationship