Hebrew scripture says, "he who saves one life saves the world entire." At the beginning of World War II, Nicholas Winton was instrumental in the complex relocation of 669 mostly Jewish children, moving them from Czechoslovakia to Britain, the operation known as kindertransport. The true story is fascinating. Director James Hawes's "One Life," the telling of Winton's story, is a somewhat staid but occasionally emotional film that should have nevertheless hit deeper.
A debate of towering significance between two eminent thinkers; “FREUD’S LAST SESSION” | FILM REVIEW
If you've wanted to be a fly on the wall for a conversation in a theological vein between Sigmund Freud and C.S. Lewis, the playwright Mark St. Germain brings it to the stage in "Freud's Last Session," now a film directed by Matt Brown ("The Man Who Knew Infinity").
Anthony Hopkins achieves yet another pitch-perfect performance as Sigmund Freud
Sir Anthony Hopkins, 83, will play Freud in an adaptation […]
CANNES, France -- There were problems with booking seats to the screening of James Gray's latest film, "Armageddon Time," this caused frustration. Finally, I managed to snag a ticket to join my group. Gray doesn't come to the Cannes Festival often.
Fascinated by marginal characters left to fend for themselves, like Joaquin Phoenix's Leonard Kraditor of "Two Lovers," James Gray
Anthony Hopkins gives the performance of a lifetime in “The Father,” which is saying something for a man who has been acting professionally for more than a half-century, and who already has one Oscar to his credit. Hopkins is 83, at the top of his game, and also of the right age to infuse his character in the new film with the most assuredly correct amount of pathos and humanity, and elicit our sympathies. It’s an absolute masterpiece
The principal pleasures of “Hitchcock”—which, in the end, is a film of decidedly few pleasures—comes from watching Anthony Hopkins’s transformation into the Master of Suspense. Hopkins may have worn a fat suit and prosthetics for the role, and he may not possess the disproportionately gaunt cheekbones and bulbous nose of the real Hitchcock (the star’s nose is so pointy here it almost upstages his character’s alarmingly