There’s what goes on in the film biz and then there’s what really goes on in Tinseltown. That’s what documentary filmmaker Marina Zenovich (director of last year’s “Lance,” about disgraced biker Lance Armstrong) was seeking to get at with her new film, “What Happens in Hollywood.”
The documentary, which is now available on Roku, shows women, and some men, speaking candidly about the sexism and misogyny that is absolutely baked into the film industry, and has been since its founding by a group of rich men a century ago.
BENTONVILLE, Ark.—Among Geena Davis’s goals for the Bentonville Film Festival is the inclusion of lesser-heard voices. The films at this year’s iteration of the festival here in northwest Arkansas certainly align with that dictum.
Among the films I watched l this week was “Waikiki,” a drama about a native Hawaiian woman’s struggles with employment, her boyfriend and family.
“The Five Rules of Success” reaches for the stars, swings for the fences, and shoots for the moon with its visual style.
Writer/director/cinematographer Orson Oblowitz has crafted a film that is always stunning to look at and involves the audience in its disturbing story through artful design and intense direction.
An ex-con (an extremely good Santiago Segura
Amid the ongoing discussion about prison reform, something often lost [...]
This is the time for important social issues to be dealt with through the world of cinema. Prejudice and misplaced hatred are at the forefront of the current America and any film that deals with bullying of the LGBTQ communities (especially the youth) have an unfortunately relevant place in our theaters.
Reinaldo Marcus Green’s “Joe Bell” is a film that wants to speak out against the hatred
Deadpan and natural comedic situations infused with pathos is difficult to successfully pull off. Writer-director James L. Brooks proved himself to be quite the master at that style of filmmaking. After his massive success with 1983’s “Terms of Endearment,” many Hollywood dramedies tried to reach for that golden ring that Brooks made look so effortless on screen. Most failed or could never find the right balance of drama, tears, and laughter.
Filmmaker Auden Lincoln-Vogel was in Cannes this year in support of “Bill and Joe go Duck Hunting,” which he's written and directed.
In “Bill and Joe Go Duck Hunting,” a slow and contemplative film that was a part of the Cinefondation program, two friends go on a duck hunting expedition and much vexation ensues, the great outdoors the setting for an oppressive “huit-clos” film that's punctuated by awkward silences and dark humor.
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