Lars Von Trier is quite good at getting himself noticed [...]

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The last Tribeca Film Festival finished on a high note as Robert De Niro and Martin Scorsese screened “King of Comedy” marking the thirtieth anniversary of the film’s release. With its knife-sharp commentary on celebrity and the vagaries of fandom "King of Comedy" not only still holds up thirty years later but is just as relevant today as it was then. In “King” stage-door autograph hound and aspiring comedian

The twelfth edition of the almost-venerable Tribeca Film Festival wrapped up last week, and left the impression women filmmakers figured higher than ever. Is this the signal of a paradigm shift? And yet, contrary to what many believe women have stood peering into a viewfinder ever since silent-film era actress/director Mabel Normand yelled “Action” to Charlie Chaplin on the Keystone lot ("Silent film star deserved")

In a movie where flying metal meets flying metaphors, “Iron Man 3” is like rooting for a good hammer. Billionaire playboy industrialist Tony Stark makes it possible to pilot a fleet of Iron Man outfits by remote control, while he munches In’N’Out burgers miles away. “Iron Man” has become “Iron Drone.” The real metaphor here is the empty suit. Among the faithful, that change won’t lead to tears for teenage theater hands to soak

Most people believe Tribeca is all about the big pictures. However what makes it fun and different is what I believe are the backbone of most film festivals, as they are both the stepping stone for filmmakers and the quicker way to see more entertainment in a minimal amount of time; the short films. There were several this year that not only had more production and entertainment value then the features but