• Screen Comment met with Director David Oelhoffen to discuss his newest film: Far From Men starring Viggo Mortensen and Reda Kateb. Over a good steaming cup of coffee, he explains how a short story: L’Hote, written sixty years ago by Albert Camus, needed to be made into a film because of the original text’s potency with today’s world. Two men journey to Tinguit, at the break of the Algerian War

  • John Maclean’s SLOW WEST is foremost a showcase film. His [...]

  • Like a psychopomp, the conductor welcomes passengers onto Amtrak’s Empire Builder, the last great American railway route. Stretching across desolate prairies, mountains, and snowy wastes, the train carries nearly half a million passengers annually from Chicago in the east to Seattle and Portland in the northwest. There is much silence and time for contemplation during the train’s trek across the great American Nothingness.

  • From this year’s Cannes Festival selection. Mexican filmmaker David Pablos’s [...]

  • necktieyouth_screencomment

    In gutters of suburbia Jabz (Bonko Cosmo Khoza) and September [...]

  • This year's festival seems all about promoting sport documentaries, from Cosima Spender’s PALIO to Bent-Jorgen Perlmutt's HAVANA MOTOR CLUB, reviewed herein. More than a documentary on illegal car racing in Cuba HAVANA MOTOR CLUB is a frank attempt at illuminating car racing as a metaphor for freedom of expression and unity. It is about a nation (Cuba) coming together and standing up for

  • How would you judge a piece of steak as being the best in the world? By its flavor, the texture, some meat-to-fat ratio? The casually informed gourmand might point to Japan’s kobe beef, that practically defied brand of meat from Hyōgo Prefecture renowned just as much for its marbling as for the cattle breeders’ unusual methods of raising them: giving them beer; regular massages; playing Mozart day and night to relax the cows. But no, kobe beef was never

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