CANNES, France-Two tribes, the Didinga and the Logir, on different sides of a vast patch of fertile vegetation. Their cattle graze on that patch so the space must be shared, but each tribe cattle-raids the other and tit-for-tat conflict is constant.

This dispute that takes place in South Sudan echoes many others before it throughout history, it’s a old problem, the fight

Arriving early, anywhere, is winning. Sort of. On Monday my train, the first one out of Paris that morning, was held for four hours in Saint-Raphael, about fifteen miles outside of Cannes, after an electrical outage wreaked havoc at the Cannes Gare. Four hours later, the train started moving and we were in Cannes within moments. The same fate was awaiting those of my colleagues who decided to take a later train out of the French capital,

The manifold themes of “Northern Skies over Empty Space”—there’s revenge, the upending of gender roles, heroism, searching for water in a barren land, a patriarchy on the wane, a natural habitat that is threatening—are something to behold, yet filmmaker Alejandra Marquez Abella has directed an evocative and everchanging film, which opened at Berlinale over the weekend, that draws on multiple narrative threads convincingly.

PARIS - On Thursday it was announced that Canal Plus, a France-based media conglomerate that began in 1984 as this country’s first privately-owned television, would be definitively pulling out of the Cannes Festival as its main sponsors. Cannes, and Canal as it’s known more simply, have been in a collab for the last 28 years, the latter beaming the opening and closing ceremonies into hundreds of thousands of homes, its familiar logo omnipresent

A painter, Damien (Damien Bonnard, who appeared in “Les Misérables”), leads a comfortable existence with his wife, Leïla (Leïla Bekhti), who restores antiques, and their young boy. While on vacation, Damien acts oddly, he’s spastic, hungry, sleepless, ready for anything and everything without seeming completely delusional.

Filmmaker Auden Lincoln-Vogel was in Cannes this year in support of “Bill and Joe go Duck Hunting,” which he's written and directed.

In “Bill and Joe Go Duck Hunting,” a slow and contemplative film that was a part of the Cinefondation program, two friends go on a duck hunting expedition and much vexation ensues, the great outdoors the setting for an oppressive “huit-clos” film that's punctuated by awkward silences and dark humor.

Cinema is now synonymous with these two words: Julia Ducournau. She is the director of "Titane," a film, all savagery and tenderness, that won the Palme D'Or last night at the Cannes Festival here in France. Why these two words? Because contemporary cinema heretofore takes risks and it's prothean and it's in step with the times and it pays tribute to its past and I can't think of a better incarnation for it right now than her, so say her name, Julia Ducournau.