As Terrence Malick's "The Tree of Life," which opened in major cities at the end of last month, is getting ready for its nationwide rollout, a how-to featurette has been released by distributor Fox Searchlight Pictures in the hopes that it will help shepherd the meditative film across the dusty trails that await. Because in order for a movie to make money, as Mike Fleming of Deadline New York reports, it needs to connect with a young audience and as anyone who's seen "The Tree of Life" knows, this might be a head-scratching challenge for the distributor.
This Argentinian-made film, initially made as a short in 2005, will remind you of 500 Days of Summer and early-cru Woody Allen. Keep an eye out for distribution news (as yet undetermined).
Sony Pictures has picked up worldwide rights to Detention Films’ [...]
[post_author_posts_link] [post_date] [post_comments] [post_edit] Rappers and movies. Now there’s a [...]
Pro: she’s worked with some of the best video directors of all time and probably has been ‘influenced’ by them. I can hear you snicker and shrug, and maybe being a great movie director doesn’t make one a good movie director but there are some notable exceptions: David Fincher or, when he’s actually working, Spike Jonze. So anyway, by osmosis, or otherwise, Madge has known great music video directors and that has to have affected her stylistically. You can’t spend seven days inside a room with Jonas Åkerlund without getting some benefit out of it. And I’m a huge fan of Madonna’s collaborations with New York photographer Steven Klein (one of my very favorites out there).
Baldwin’s forays into politics have been mostly via his chronicles in the Huffington Post. He’s no Hendrik Hertzberg but the world could always use more politically-committed actors (as long as they’re not taking an Academy Awards telecast with their pleas—Susan Sarandon and Tim Robins).
Last April Baldwin wrote an article bemoaning clean-nuclear politics’ “dishonest” agenda in HuffPo (he’s a contributor). Most recently, also in the media outlet, Baldwin wrote a commentary of the recent Anthony Weiner debacle, saying, “He exists under a constant pressure cooker of self-analysis and public appraisal. Like other politicians, he needs something to take the edge off.”
The Film Society of Lincoln Center is planning a massive retrospective of Judy Garland’s movies between July 26 and August 9.
Highlights will include a sing-along screening of “The Wizard of Oz” (1939); screenings of the Andy Hardy classics that teamed Garland with Mickey Rooney classic and beloved musicals (“Meet me in Saint Louis; 1944) and her Academy Award-nominated performances in “A star is born” (1954) and “Judgment at Nuremberg” (1961)—thirty-ones titles in all.
