This year's festival seems all about promoting sport documentaries, from Cosima Spender’s PALIO to Bent-Jorgen Perlmutt's HAVANA MOTOR CLUB, reviewed herein. More than a documentary on illegal car racing in Cuba HAVANA MOTOR CLUB is a frank attempt at illuminating car racing as a metaphor for freedom of expression and unity. It is about a nation (Cuba) coming together and standing up for

How would you judge a piece of steak as being the best in the world? By its flavor, the texture, some meat-to-fat ratio? The casually informed gourmand might point to Japan’s kobe beef, that practically defied brand of meat from Hyōgo Prefecture renowned just as much for its marbling as for the cattle breeders’ unusual methods of raising them: giving them beer; regular massages; playing Mozart day and night to relax the cows. But no, kobe beef was never

Both PRESCRIPTION THUGS AND TRANSFATTY LIVES are about crippling diseases—one voluntary, one not—and both are intensely personal, given how these afflictions affect both directors themselves. TRANSFATTY LIVES, the slightly better of the two films, played on Wednesday, while PRESCRIPTION THUGS was shown on Thursday and will play again Saturday at 6:30 PM at Chelsea's Bow Tie Cinemas. Chris Bell’s PRESCRIPTION

Pakistani cleric Maulana Aziz has perfected the art of creating [...]

Screen Comment critic Nate Hood recently attended the 2015 Tribeca Film Festival and reviewed the film "Orion: the Man who would be King" (his article is available online). He met with director Jeanie Finlay afterwards. I had the opportunity to check out Orion: The Man Who Would Be King" a couple of days ago and I was blown away by it. So how did you first hear about “Orion?” Jeanie Finlay: So, twelve years ago I was—I live in Nottingham

"If Elvis could make it sounding like Elvis, why can’t I?” This line best sums up the inexplicable futility and cosmic tragedy of the life of Jimmy Ellis, a singer from Orrville, Alabama who skyrocketed to fame in the late seventies and early eighties thanks to his uncanny vocal resemblance to the recently deceased Elvis Presley. Desperate to cash in on the explosion of popularity surrounding the King of Rock ‘n’ Roll after his

My name is Nathanael Hood and I’m autistic. And in my twenty-six years on this earth I have never seen a film that treated autism with the same level of respect and dignity as Matt Fuller’s AUTISM IN LOVE. It examines four subjects: Lenny, a twenty-something living with his parents who agonizes over his inability to get a girlfriend; Dave and Lindsey, two Autistics who have managed to overcome their disabilities to sustain an eight-year relationship; Stephen, a middle-aged