If we posit that a great film is both cinematography and story, EVEREST is not great as it does extremely well in the first area but fares poorly in the second. Obviously, Everest, the mountain, summit of the world, films magnificently. It is mighty, spectacular, awe-inspiring, frightening. It is both threatening and irresistible. Irresistible to the multitude striving to climb to the top or “summit,” to use their word.

Keira Knightley and filmmaker Joe Wright ("Atonement") team up again to cover a celebrated work of European literature, this time focusing on forbidden love among the Russian aristocracy described by Tolstoy. The latter has directed a gorgeous-looking, if overindulgent, film, although nary a soul is to be found in it. Knightley, as the title character, wallows in her loveless marriage to politician Alexei Karenin (Jude Law). She falls in love

Despite the latter half of its title, Seeking puts the charm back in "charming." The film accomplishes this by doing the impossible on two levels...firstly, by making a serious subject something to laugh at without falling into the always too familiar traps of over-the-top parody, satire or spoof. Secondly, the film takes the genre of romantic comedy and gives it edge without too much violence, shock or sadness. This thread-the-needle bal-

Joanna (Keira Knightley) and Michael (Sam Worthington) are a gorgeous, [...]

It’s fitting in The Duchess that, despite the obvious passage [...]