It is a testament to the quality of this year’s Sundance Film Festival back in January—in the good old pre-lockdown days—that close to a year later, its offerings are still finding outlets for those who weren’t in Park City, Utah. Such is the case for Miranda July’s “Kajillionaire,” a film that is neither comedy nor drama yet teases elements of both such that, when it ends, the filmmaker forces ... more >
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The Conspirator
Robert Redford is a good man. He is earnest and decent and his heart is in the right place. He is also an essential figure in cinema as he has single-handedly probably done more for cinema—with the Sundance Festival and Sundance channel and other film-related ventures—than anyone else in the history of this art. The late Henri Langlois, one of the founders of the Paris Cinémathèque and its head ... more >
Whatever Works
Whenever a new Woody Allen film arrives, I meet it with a certain discomfort. No matter how eloquently or ineloquently he handles his favorite ongoing theme –the role of chance, fate, luck in the universe –you know it is a ninety-minute attempt to escape culpability for that most infamous romantic episode in his life. What? Leave my partner for her teenage daughter? It’s just random chance. ... more >

The Wrestler
Using unorthodox strangleholds, filmmakers have long wrestled with the figure of Christ. Few achieve the full body slam as strangely as The Wrestler, an outstanding tag-team combo of professional wrestling, Rocky, and The Passion of the Christ. Robert Bresson presented Christ as a mule in 1966’s Au Hasard Balthasar. Here, Darren Aronofsky presents the Savior as a Ram – Randy “Ram” Robinson (a ... more >