The Cannes Festival just announced this year's jury composition. The members are, Chang Chen (an actor from China), Ava DuVernay (writer, director, producer), filmmaker Robert Guédiguian (“The snows of Kilimandjaro”), Khadja Nin (a songwriter and composer from Burundi), actress Léa Seydoux, Kristen Stewart, filmmaker Denis Villeneuve, and Russian writer-director Andrei Zvyagintsev, whose film “Loveless”
As the countdown to the seventy-first Cannes Festival begins, the official poster was released today. This year’s poster (see full image at the end of this article) was taken from 1965’s “Pierrot Le Fou.” Everyone at the Festival next month will see it, here, there, and everywhere. It’ll adorn the many sides of the Palais, the streets nearby, lampposts, ice-cream parlors and souvenir shops. A lively visual leitmotiv
Last night the Un Certain Regard prizes were awarded during a ceremony in the Debussy Theater. UCR, an unwieldy hodgepodge of decent and lesser films, is the non-competition program of the Cannes Festival's official selection. But it's not without the occasional gem. Filmmaker Mohammad Rasoulof's "A Man with Integrity," a dark portrait of a man standing up against the corruptive influence of a company angling
There are still two movies left to watch in this year's program but here are the movies, thus far, that I believe should win this year, and the prizes they should deserve: PALME D'OR The Square (directed by Ruben Oestlund) BEST DIRECTING Michel Hazanavicius ("Le Redoutable") BEST ACTRESS Diane Kruger, "In the Fade"
Ever since “Marie Antoinette” filmmaker Sofia Coppola has seemed to suffer from indolence, and that was the case again with “The Beguiled,” her new film debuting today in Cannes. I could not get into this movie in spite of its bravura visual palette, its many funny moments and primo cast composed of Colin Farrell, Kristen Dunst and Nicole Kidman. It’s three years into the civil war. Farrell plays Corporal McBirney
Filmmaker Claude Lanzmann traveled to North Korea three times in [...]
When actress Robin Wright arrived on the set of Kering’s Women in Motion on Thursday, the shadow of Claire Underwood, the wife of the U.S. president in "House of Cards," floated in, too. One has become hardly dissociable from the other, and so it was this role of the powerful woman she invented with David Fincher that drove her for the first time behind a camera. Elegantly dressed in a black suit, she came to the 70th