Good, marketable cinema usually comes from the same continents over and over again. Countries in those continents have support structures that ensure that out of the lot some film school graduates are going to become great filmmakers. The reverse of this seems to be true, too. People desirous of becoming filmmakers but who have the misfortune of being born in countries such as Laos, Nigeria or North Korea and who have

(part of a multi-article series about the 2014 Fabrique des [...]

(part of a multi-article series about the 2014 Fabrique des [...]

(part of a multi-article series about the 2014 Fabrique des [...]

(part of a multi-article series about the 2014 Fabrique des [...]

(part of a multi-article series about the 2014 Fabrique des [...]

(part of a multi-article series about the 2014 Fabrique des [...]