CANNES, France - Ethics and civility are not synonymous with honor but it’s generally understood, by most, that if you adhere to an ethical and civil conduct in life, honor will naturally flow from it. The idea of honor endures more or less overtly in Iranian society, and Asghar Farhadi’s new film “A Hero” thrives on it as leitmotif. The honor of one man, a painter calligrapher, crushed by debt after a business venture goes south. The honor of those

Last night’s opening ceremony, which was shown to the press corps via simulcast in the Debussy theater, was pure joy, especially if you speak French. French film and theater actor Edouard Baer emceed the event with ironic bonhomie and a piano player who accompanied him as he delivered a spoken-word-style love letter to cinema and to humanity at large. With Anna Karina, the actress from “Pierrot le fou,” (this year’s poster depicts a scene from that movie) watching him in the audience, he played short clips from the film and entertained the audience with quips.

Asghar Farhadi's eighth film was shot entirely on location in Spain. Laura (Penelope Cruz) lives with her husband (played by Javier Bardem) and their children in Buenos Aires. When they return together to her native village in Spain for a family event, the trip gets derailed after unexpected events bring secrets out into the open. The family, its ties and the moral choices imposed on them are all leitmotifs of Farhadi's films and figure front and center in the script.

(from affiliate Iranian Film Daily) - “About Elly,” which stars Golshifteh Farahani (pictured) is finally getting a stateside limited release, well after the fact. Let’s remember that the year of release for this film is 2009. That’s six long years during which theater-going Americans were deprived of this slow-burning drama surrounding the mysterious disappearance of a woman vacationing at the beach with a group of friends.

Stories, whether in film or in literature, generally follow an arc. Things happen to a character or characters that we judge and like or dislike according to their personalities and their choices; situations develop, conversations take place, a certain point is reached, and there is a conclusion. In an Asghar Farhadi film (winner of an Academy Award for Best Foreign Film for “A Separation,”) only the conversation part is certain. In his new film, “Le Passé,” (“The Past”) shown in competition at the Cannes Film Festival, people talk, not hearing each other—as when they talk through a glass pane in an airport—or hearing wrong, or hearing too much.

Nader and Simin: A Separation by Asghar Farhadi is the Iran-made candidate for Best Foreign Picture at the Academy Awards. Not only is it a superb film with nary a wasted shot, but actors Leila Hatami and Peyman Maadi (they won the Best Actor awards at the last Berlin Film Festival) give three-dimensional, wholly believable performances as the two sides of an acrimonious couple going through a sloppy divorce.

This second film by director Asghar Farhadi (pictured, below right), whose 2009 film "About Elly" already received widespread attention, has been leading the box-office in France. Parisians have been lining up and many of the screenings have required advance reservations to guarantee seating. Not bad for an axis of evil country. With decent marketing here, the same response should be anticipated even though this movie will likely only play to New York and L.A.

Why so much eagerness about it? Because “Separation” has been doing exceptionally well with the critics. Le Monde called it “excellent” and La Croix said the movie was “breathtaking” and “fascinating.” And that’s just a sampling of the praise that the film has been showered with