A grade schoolgirl grooming herself to be the next Warren Buffet. One who puts profit margin above a real education. A girl who sells hot cigarettes at her junior high-school. This behavior continues through her life as she resists the easy road and finds alternative ways to make that green. Hustle. Hustle. Hustle. And most importantly, “Don’t fuck with my money!” This is how the new social comedy “Buffaloed” begins. Not with a small character build
Born in Soussa, Tunisia thirty-seven years ago, a consumer mainly of ninja and Jean-Claude Van Damme VHS movies as a teenager Ala Eddine Slim came into cinema upon discovering, not without thrills, "The Sunchaser” [1996] by Michael Cimino on television, "on a Thursday evening after Special Reporter." For the last ten years he has run, along with a few close friends, a kind of collective derived
PARIS - "[with a view to] ... honor those involved in making cinema in 2019, to regain calm and to make the cinema festival [otherwise known as the ceremony “Les Césars”] a celebration, the board of directors of the Association for the Promotion of Cinema has made the decision to resign unanimously [...]”
So read part of the press release issued by the executive board of the César Awards last Thursday
How far would we go to protect our lives and careers and to shelter our loved ones from pain? To what lengths would we go to bury our sins? What would be the consequence if those sins are revealed?
These are the questions asked and answered by the New Mexico/U.K. co-production “Feedback,” a tense and well-acted thriller that explodes with the ferocity of a shotgun
If you can’t physically go to see America’s National Parks and Monuments, the next best thing is to see them in IMAX. Oscar-nominated filmmaker Greg MacGillivray (“Journey to the South Pacific,” “National Parks Adventure”) has returned to the scene of the country’s wildest, most beautiful places with his new IMAX adventure, “Into America’s Wild.”
Narrated by Morgan Freeman
Much like Jane, the never-named hero of her film “The Assistant,” writer-director Kitty Green began her career in media at a production company. She wanted to be in the film business, where starting off at the bottom was the typical first step to where she now finds herself after years of hard work.
Green, who is Australian, screened “The Assistant” at Sundance, and sat down with me in
Tonight in Hollywood, and across the globe, it's all about "Parasite." “Parasite” by the Korean director Bong Joon-Ho, netted four Academy Awards on Sunday, winning in the Best Film, Best Director (Bong Joon-ho), Best Foreign Film and Best Screenplay categories. What a winning streak! Joon-Ho made history, too, in the process. This is the first time that a non-English-language film won for Best Film at the Academy