An L.A. judge greenlit yesterday Friday a lawsuit against actress Sharon Stone for unfair dismissal, harassment and racial discrimination brought on by a former employee of the actress. The employee had been fired by Stone in 2011. The Superior Court of Los Angeles judge found that there was sufficient evidence amid the facts alleged by the lawyers of Erlinda Elemen, thereby allowing for the trial to go on. "We're pleased that the judge recognized that
Pangs of nostalgia are inevitable upon seeing or revisiting “L’innocente,” the 1976 film that would be Luchino Visconti’s last. The sixties and seventies were two of the most remarkable and prolific decades of cinema--Italian cinema the most idiosyncratic of all so that the works of extraordinary directors such as Fellini, Scola, Pasolini, Antonioni or Bertolucci
Ann Hornaday, eat your heart out. Iran's islamic republic can fight with the best of them when it comes to voicing opinions on movies. The "Argo" win this weekend has unleashed a torrent of film criticism from the Iranian capital. Maybe we should all pay more attention to this. Or should we? Yesterday Iranian media described the handing of the Best Film Oscar to Ben Affleck for “Argo” as “politically motivated." "Argo" is based on events
I never get my prediction for Best Movie right. This year, I did. Sure, you will claim that “Argo” was a shoo-in, what with the trail of fire it’s been leaving behind it these past few months (unstoppable, that movie was, picking up multiple nods along the way), and you’re right. “Argo” is where the money’s at. Although shot in Turkey, the Ben Affleck-directed political thriller takes place in Tehran, Iran, right in the
The work of Quentin Tarantino could be said to fall into categories: firearms and explosion/fire. That’s what this new infographic (see below) created by Vanity Fair seems to tell us, anyway, in its surveying the number of dead and the cause of death throughout Tarantino's opus. According to this graphic there are relatively few deaths in his first three feature films and people are killed with firearms. “Kill Bill” comes packed with a higher
In a China haphazardly completing its rapid economic transformation Cui Zi'en is an independent documentary filmmaker who braves censorship in order to represent societal changes through the eyes of the indigent. "We are a comic-heroic generation, a lost generation," a young man says in “Night Scene,” Zi’en’s documentary about Beijing’s young male prostitutes which is being shown here in Paris at the Forum des images, a multi-
Ben Affleck has made his comeback on the international stage with [...]
