Finney, one of the greatest, is gone but images from his tremendous cinema resume come flooding our memory. The role in Arthur in “Saturday night and Sunday morning” (1960) of course, his heavy working- class features immediately making cinema history, and from then on and on, in an extraordinary variety of parts. My favorite, of course, remains Sir in “The Dresser” (1983) alongside long-suffering Tom Courtenay, another great
(SANTA BARBARA, Calif.) Santa Barbara, often referred to as the “American Riviera,” is hosting its 34th film festival this week, replete with the typical red-carpet events and world premieres of films from around the globe. Yes, Melissa McCarthy, Spike Lee, Claire Foy and other high-wattage stars have been seen here this week, but in addition to appearances by those A-listers, numerous filmmakers and stars on the rise have also been
Richard Stanley is back in the saddle again, will direct “Color out of space,” starring Nicolas Cage
SpectreVision, the genre division of Company X and ACE Pictures, [...]
The Hollywood screenwriter William Goldman has died at 87 this [...]
The no-frills “The Guilty” (“Den Skyldige” in the original Danish) is Denmark’s gathering storm movie. This film was selected as that country’s entry for the Foreign Language Film category at the Academy Awards. In “Guilty” police officer Asger Holm answers an emergency call from a woman who’s been kidnapped. As the details of the crime emerge, becoming increasingly complex, Holm, a voice on the phone
For a while everyone thought that that the adventures of Robert Downey Jr. and Jude Law in “Sherlock Holmes and John Watson” were going to remain without a sequel, ever since the release of the second opus, “Sherlock Holmes: A Game of Shadows.” Box office receipts were slightly higher than those of the previous film (545M v. 524), the third in the franchise was announced very hastily, and then, nothing happened
