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    Oh no they didn’t ! (yes, they did) China delivers “morally-sound” BOHEMIAN RHAPSODY to audiences

    A heavily-redacted biopic about Freddie Mercury that omits a substantial part of the singer's life? Yes, that is possible—in China (among other countries). Morally cleansing the story of “Bohemian Rhapsody” to conceal some uncomfortable (for some) truth is unfortunately part of the orthodoxy in this otherwise grand, wonderful, but sometimes perplexing, country that is China. But this could've happened in Russia, Pakistan or around Mike Pence's dinner table, to be sure. Before its release, the biopic, which is devoted to Queen's vivacious lead singer's life

    April 3, 2019
  • Featured Review,In Theaters Now,Interviews,Movies

    WHEN LESS IS MORE: Talking with John Lee Hancock, director of “THE HIGHWAYMEN”

    We all remember the slow-motion ballet of bullets that closed Arthur Penn’s 1967 “Bonnie and Clyde,” with Warren Beatty and Faye Dunaway’s gangster-lovers meeting their violent demise on a rural Louisiana highway. It remains one of the most grippingly awful endings to a film, and as you watch it, it feels like it goes on forever.In reality it was just sixteen seconds. More than a half-century after Penn’s film

    May 26, 2019
  • Featured Review,In Theaters Now,Movies

    COUNTERPOINT: “Hotel Mumbai” (and interview with filmmaker Anthony Maras)

    In November 2008, ten devotees of the extremist group Lashkar-e-Taiba staged a dozen terror attacks across Mumbai, resulting in over a hundred deaths. The final and most dramatic stage of the assault took place as the Taj Mahal Palace Hotel, where several of the terrorists held the hotel under siege for three days, killing dozens in the process with automatic weapons and explosives while being directed via phone by someone in

    May 26, 2019
  • Featured Review,In Theaters Now,Movies

    With “The Brink,” Stephen K. Bannon, death star of the alt-right movement, gets his day in the sun

    By the end of Alison Klayman’s Stephen K. Bannon documentary “The Brink”even the most liberal viewer may find themselves rooting for the alt-right agitprop mastermind. In “The Brink,” which opens Friday, Klayman presents a cinema vérité year in the life of Bannon, from the time of his firing from the Trump White House and culminating in the 2018 midterm elections, which saw the Democrats retake the House

    May 26, 2019
  • Featured Review,In Theaters Now,Movies

    Benoît Jacquot’s “Dernier Amour,” yawn

    If there have been more boring recent films than Benoît Jacquot’s “Last Love,” ("Dernier Amour" in the French original) none readily comes to mind. Though one must admit that it’s a feat in itself to have such rich material to deal with and to turn it into a yawn-inducing couple of hours. The last fling of the maestro of love himself, Giacomo Casanova, (and, if the script based on the Venetian adventurer’s own written story of

    May 26, 2019
  • Featured Review,In Theaters Now,Movies

    “Diane,” or when you come to grips with your present and the past gives you a jolt of bitterness

    For Diane (Mary Kay Place), a kind of selfless stoic, everyone else comes first. Generous but with little patience for self-pity, she spends her days checking in on sick friends, volunteering at her local soup kitchen, and trying courageously to save her troubled, drug-addicted adult son (Jake Lacy) from himself. But beneath her unending routine of self-sacrifice, Diane is struggling with her own demons, haunted by a past she cannot let go

    May 26, 2019
  • Featured Review,In Theaters Now,Movies

    HOTEL MUMBAI, walking back uneasy to the scene of the crime

    “Hotel Mumbai” is based on real events that took place in November 2008, when ten members of Lashkar-e-Taiba, a Pakistani Islamic terrorist organization, carried out an insanely-bold series of attacks on Mumbai, starting from the rail station and making their way to the Taj hotel where a number of guests were staying, including American ones.

    A thriller directed by 

    June 23, 2019
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