“Dolemite is My Name”, the new film from the immensely-talented Craig Brewer, is a pleasant surprise and certainly one of the most entertaining and emotionally satisfying films I have seen this year.

The wildly-vulgar character of Dolemite was the brainchild of struggling seventies comedian Rudy Ray Moore. Moore's material was too raw for the major record labels of those days, but the

“Ad astra,” the new film by James Gray, is more meditation than story. The title (one half of the latin phrase “per aspera ad astra” or “through hardships to the stars”) is apt given the amount of time travel and the fascinating hardware that allows it, though the tale meanders, causing some confusion. With various stellar transportation modes, it takes us from one distant planet to the next without a clear mission statement. Basically, the quest

A devious and creepy psychological film in the horror/thriller genre has made its way into cinemas in the form of Robert Eggers’s second feature, “The Lighthouse.” His first film “The Witch” was a masterpiece of tone and tension and staked its claim as one of the finest horror films of the past twenty-five years.

Now comes Eggers’s latest film, one that is sure to shock, enthrall, and completely divide

A Takashi Miike film. Don’t be afraid. Jump into his cinematic world. While he isn’t always perfect, good or bad, his films hold unique and fascinating wonders for cinephiles.

“First Love” ("Hatsukoi" in the original Japanese, is Miike’s best film since 2010’s “13 Assassins.” This is a wild ride but just wild enough. Being a Miike film, we are treated to scenes

I’m always skeptical when a film receives too much hype. With the on-again, off-again quality of American fare, I try not to set my hopes too high, especially when it comes to a film about the D.C. Comics's The Joker, by the director of “The Hangover” series.

It is with great pleasure that I report that, while the film itself isn’t the cinematic masterpiece that some have christened it, Todd Phillips’s “Joker” is one of the finest films of 2019 with Joaquin Phoenix delivering one of the great performances of modern cinema, and definitely his personal best.

And here's me breathing a sigh of relief. Almodovar has made another masterpiece, a work of art. “Dolor y Gloria" is sublime! I’d become disillusioned with the El Deseo jefe. “Broken embraces,” “La Piel que lo habito” were colorful, if shoddily-written films that lacked substance and felt saturated with fabricated emotions. Those were films, I could but only deduce, made by a filmmaker in existential decline. But with "Dolor y Gloria,”

The 63rd BFI London Film Festival has announced its jury line-up for this year’s Festival Awards.

The Official Competition jury is led by acclaimed Colette (LFF 2018) and Still Alice director Wash Westmoreland, whose latest film Earthquake Bird screens in this year’s Festival; the First Feature Competition (Sutherland Award) jury will be headed up by Austrian director Jessica Hausner