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    “French exit” (because why not?) | REVIEW

    Michelle Pfeiffer can do almost no wrong on screen, in my view, and I’m going to declare that it’s not her fault that the new film “French Exit” suffers from overambition and a trace of boredom despite her still-electrifying presence.

    Not that she doesn’t lean into the role of Frances Price with considerable verve. A lifelong New York socialite, Frances is devastated to learn that her late husband has left her with little

    April 2, 2021
  • Featured Review,In Theaters Now,Movies

    Wading deep down the mysteries of “OVERWHELM THE SKY” | FILM REVIEW

    One of the many issues with modern films is how they do not strive to be cinematic enough. Few filmmakers today take their time to properly design shots, use their frame in uniquely meaningful ways, and craft profoundly artful moments where the camera is both the artist and the tool.

    Daniel Kremer’s “Overwhelm the Sky” is a most welcome film that’s cinema to its very core.

    March 26, 2021
  • Featured Review,In Theaters Now,Movies

    “THE COURIER,” our interview with director DOMINIC COOKE

    If you’ve never heard about the exploits of the British Cold War spy Greville Maynard Wynne, you’re not alone.  Even Dominic Cooke, the director of the new fact-based film about Wynne’s spy exploits, had never heard of Wynne before the script for “The Courier” came his way.

    “It was interesting that Brits over a certain age knew who he was, but anyone below the age of sixty-five could not recall the case

    March 19, 2021
  • Featured Review,News

    BRIEFLY : “A Concerto is a Conversation”

    The Academy Award-nominated short subject documentary film "A concerto is a conversation," which was executive-produced by Ava DuVernay and recently premiered at the 2021 Sundance Film Festival, is now streaming from The New York Times Op-Docs.

    Kris Bowers (pictured) is one of Hollywood’s rising young composers. At twenty-nine he scored the Oscar-winning film “Green Book” (2018), and this year he premiered

    March 17, 2021
  • Featured Review,In Theaters Now,Movies

    Anthony Hopkins gives magisterial performance in “The Father”

    Anthony Hopkins gives the performance of a lifetime in “The Father,” which is saying something for a man who has been acting professionally for more than a half-century, and who already has one Oscar to his credit.  Hopkins is 83, at the top of his game, and also of the right age to infuse his character in the new film with the most assuredly correct amount of pathos and humanity, and elicit our sympathies.  It’s an absolute masterpiece

    March 11, 2021
  • Featured Review,In Theaters Now,Movies

    Bigly shenanigans and desperate lying in “WHITE LIE” | REVIEW

    “The WORST thing you can do is to slip in ‘little’ white lies just to save yourself from confrontations & emotional conversations. ⁃ Sijdah Hussain

    In “White Lie” Katie Arneson is a university student who tries hard to keep her cancer diagnosis a secret. The fact that it is not true and there is no cancer is what Katie is hiding.

    What a cruel and unforgivable

    March 9, 2021
  • Featured Review,In Theaters Now,Movies

    REVIEW: “The SpongeBob Movie: Sponge on the Run”

    Everyone’s favorite resident of a certain deep-sea pineapple is back in his first big-screen adventure since the untimely passing of SpongeBob creator Stephen Hillenburg, who succumbed to ALS in 2018. Hillenburg’s absence is felt rather keenly in “Sponge on the Run,” which was written and directed by frequent “Bob” scribe Tim Hill, as a certain magic is absent in our yellow friend’s third big-screen adventure—bowing not in theaters

    March 8, 2021
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