An ancient terror hidden deep in a bog is the source of the evil held in the creepy Shudder original film “Moloch."

While lifelong horror aficionados might not get the benefits of full-on frights (we horror fans have seen it all), the film’s eerie aura is quite effective and holds a sense of unease throughout.

In this effective supernatural creeper

There just isn’t enough story to carry Olivia Wilde’s “Don’t Worry Darling” through a feature length running time. While the premise is there, the screenplay (from Katie Silberman, and Carey & Shane Van Dyke) fails to have anything new or interesting to say about the film’s themes, nor does Wilde have the skills as a director to pull it all off.

In an attempt to mix different genres

From the start, Allan Ungar’s “Bandit” takes the wrong storytelling route, in both its screenplay and casting of the lead role.

Kraig Wenman adapted Ed Arnold and Robert Knuckle’s novel “The Flying Bandit: Bringing Down Canada's Most Daring Armed Robber,” morphing this undeniably exciting true tale into a comedy of errors, sort of. Sadly, the true error is in the screenplay.

Greg Mottola’s “Confess, Fletch” is an absolute delight. Smartly written and consistently funny, this is one of most entertaining films of 2022.

Although inevitable, Mottola’s picture shouldn’t be compared with Michael Ritchie’s 1985 “Fletch” starring Chevy Chase, as the two films are cut from a different cloth.

Ritchie’s was very much a product of the eighties. Once Chevy Chase

The screenplay for "Spin me Round" (written by lead actress Alison Brie and filmmaker Jeff Baena) works for much of the film--until it falls into a hole of idiosyncrasies.

There is a lot going on with this unique film, the best being the deceptively anti-romantic view of the text.

Where most films find grand (and mostly clichéd) romance in a story like this

As the new film “Day Shift” proves mixing the horror genre with action is tough. Adding in comedy is even harder.

Director J.J. Perry’s feature length debut doesn’t always hit its mark but entertains nonetheless thanks to a focused first half and a good cast.

Less a pure Horror effort and more of an amusement park ride, director Perry goes for the fun of it all.

On July 3rd, 2017, desperate for help and with seemingly no one taking his complaints of pain seriously, retired Marine Brian Easley walked into an Atlanta-area bank, gently informing a clerk that he had a bomb. He didn’t want to rob the bank, he insisted; he simply wanted the money he felt the VA had denied him for his own care.

He also wanted to be heard. Easley phoned both