Ari Aster has not only proven himself to be a great director of horror (as he did so expertly in his 2018 feature debut “Hereditary”) but a great filmmaker as he takes his new film, “Midsommar” to the level of Art. According to Aster, a very bad breakup led to the creation of this spine-chilling nightmare, one made even more frightening due to the fact that it all takes place under the bright light of the sun. Our director gives us nowhere
“...when your woman becomes her own content, and you become her content, that’s love.”
“Marianne & Leonard: Words of Love” is a soulful documentary examining the relationship between a pure artist and his often-ignored partner, who became the most important person in his life. For many, the relationship between an artist and their work is more important than
In this male-dominated business women filmmakers have always been too small a minority. There is progress being made but women’s voices deserve better recognition.
Chantal Akerman was a founder of the art-of-turning-traditional-narrative-on-its-head school of filmmaking. This is evident in one of her finest works, 1975’s “Jeanne Dielman, 23 Qai du Commerce, 1080 Bruxelles.” This notable
In "Europe '51" Irene (Ingrid Bergman) is a society woman who searches for life’s meaning after the accidental death of her son. She’s a worldly and superficial woman, but her son’s death will push her to seek others and help those in need in a bid to achieve a kind of holy state. The first scene of the film is told in perfect cadence and Stendhalian efficiency: Irene, lady of the house, is holding a dinner party. The guests arrive, they’re plied
At the heart of Ava DuVernay’s “When They See Us" is the fate of Antron McCray (Caleel Harris, Jovan Adepo), Kevin Richardson (Asante Blackk, Justin Cunningham), Yusef Salaam (Ethan Herisse, Chris Chalk), Raymond Santana ( Marquis Rodriguez, Freddy Miyares) and Korey Wise (Jharrel Jerome). The five black men from Harlem were wrong arrested and convicted for the supposed rape of
In this wonderful series (based on his own 1986 film) Spike Lee’s “She’s Gotta Have It” is a natural yet cinematically exhilarating look at Nola Darling, a modern black woman who makes no apologies as she navigates through her life and relationships on her own terms.
Unambiguously set in 2016 (and 2018 for season two) this vibrant series has pure delight in every episode.
The concert film “Woodstock,” made in 1970 by director Michael Wadleigh, captured the August 1969 “three days of peace and love” music festival in Bethel, New York, the touchstone for a generation and the height of the anti-Vietnam War movement. Joe Cocker, Joan Baez, The Who, Santana and Jimi Hendrix were among the notables who took to that muddy, rainy stage, which Wadleigh’s cameramen and editors, including a young Martin Scorsese, weaved together into a
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