I’m always skeptical when a film receives too much hype. With the on-again, off-again quality of American fare, I try not to set my hopes too high, especially when it comes to a film about the D.C. Comics's The Joker, by the director of “The Hangover” series.
It is with great pleasure that I report that, while the film itself isn’t the cinematic masterpiece that some have christened it, Todd Phillips’s “Joker” is one of the finest films of 2019 with Joaquin Phoenix delivering one of the great performances of modern cinema, and definitely his personal best.
The scandal surrounding the revelations contained in the Panama Papers is labyrinthine. So complex, in fact, that Pulitzer Prize-winning investigative journalist Jake Bernstein spent years unearthing the intricacies of the enmeshment of the financial system and Russian interests for his book, “Secrecy World: Inside the Panama Papers Investigation of Illicit Money Networks and the Global Elite,” which came out in 2017.
John Rambo’s “final” adventure is upon us, and (spoiler alert), he rides off into the sunset—no matter that he’s critically injured. Will he be back? Or has the character finally outstayed his welcome?
In a word: perhaps. The fact that the “First Blood” franchise has lasted nearly forty years over five films is kind of amazing in and of itself. Unlike Rocky Balboa, John Rambo has never precisely
And here's me breathing a sigh of relief. Almodovar has made another masterpiece, a work of art. “Dolor y Gloria" is sublime! I’d become disillusioned with the El Deseo jefe. “Broken embraces,” “La Piel que lo habito” were colorful, if shoddily-written films that lacked substance and felt saturated with fabricated emotions. Those were films, I could but only deduce, made by a filmmaker in existential decline. But with "Dolor y Gloria,”
The 63rd BFI London Film Festival has announced its jury line-up for this year’s Festival Awards.
The Official Competition jury is led by acclaimed Colette (LFF 2018) and Still Alice director Wash Westmoreland, whose latest film Earthquake Bird screens in this year’s Festival; the First Feature Competition (Sutherland Award) jury will be headed up by Austrian director Jessica Hausner
Rob Zombie’s latest film “3 From Hell” is the third film in his Firefly Clan trilogy and quite simply one of his best ones. This is a blood-soaked homage to the seventies grindhouse films that Zombie grew up admiring and the kind of wild genre craziness that became a major influence on both his music and directorial style.
This is intense genre filmmaking on high levels. Zombie has been coasting for some years
Mexico City in the nineties was a place where the harshest crimes went unpunished due to money and a corrupt police force.
Aida (an excellent and tortured performance from Diana Lein, an actress to watch!) serves up revenge for young women who have been raped and maltreated and weren’t able to find resolution on their own.
Working out of the back of a nightclub, the women
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