PARIS - Finally, the suspense is over. Thierry Frémaux, programmer of the Cannes Festival, and Pierre Lescure, President, released today the names of the films that would've been screened at Cannes this year, had the event taken place. As we all know, the world went tits up in March, everything got canceled because of a wayward virus, including the Festival, and Donald Trump recently held a Bible in front of a shuttered church
“A fictional biography” is a phrase that usually doesn’t work when it comes to films. Of course, when telling the story of a real person or event, some dramatic license is necessary and sometimes warranted. The new film, “Shirley,” tells the story of horror writer Shirley Jackson that features events that never took place. And that is just fine. Jackson is best known for her 1960 horror novel
Perhaps no modern sports figure has gone from the heights of praise to the depths of public revulsion as spectacularly as Lance Armstrong, the disgraced former cycling champion who beat cancer, won several consecutive Tours de France, but then watched his legend implode after admitting to doping over the course of many years.
Armstrong’s unlikely rise and even more drastic fall
With the current style of Hollywood thrillers that tend more toward flashy camerawork and preposterous chase scenes and situations, one feels appreciative when a film comes along that creates the proper atmosphere to fit its subject matter. Director George Popov’s latest UK-set film is a mood piece with a supernatural motif that is one of the more aesthetically-pleasing thrillers I’ve seen in quite a while.
We haven't seen this yet, but it caught our eye (and we will talk about it on Screen Comment very soon). From director Jon Kasbe (he previously directed "When lambs become lions") comes this new drama about a motorcycle rider who transports that rarest of packages: blood. Amidst a blood shortage crisis and terrible traffic jams all day every day in Nigeria, it can take over twenty-four hours to transport blood to patients in
It's Sunday, May 24th. Normally I would've been be at the Cannes Festival for the 73* edition, the first of this new decade, hunkered down in the press room, gulping my umpteenth cup of coffee, with friends and colleagues, typing out the final reviews of this 2020 edition, running communication with others working from their hotel rooms, getting confirmations, or denials, about the latest rumor from the Villa
It is rare in today’s filmmaking world that inspiring films about youth have something profound to say. Most films that claim to speak to today’s kids tend to condescend to their audience and crowd their screenplays with clichés, ofttimes rendering their content superficial and phony.
Fernando Grostein Andrade’s “Abe” is the special film that takes care to get to the heart of its subject.
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