In 1970 Hunter S. Thompson began a bizarre run for sheriff of Pitkin County, Col., where he ran on the “Freak Power” ticket. The title of Thompson’s ticket is a pushback on the prejudice toward the local hippies from his opponent Carol Whitmire.

Coming on the heels of the good documentary “Freak Power: The Ballot or the Bomb,” which examined the same subject

Cinema is now synonymous with these two words: Julia Ducournau. She is the director of "Titane," a film, all savagery and tenderness, that won the Palme D'Or last night at the Cannes Festival here in France. Why these two words? Because contemporary cinema heretofore takes risks and it's prothean and it's in step with the times and it pays tribute to its past and I can't think of a better incarnation for it right now than her, so say her name, Julia Ducournau.

After twenty years of working in the adult film industry in Los Angeles, Mikey Saber (Simon Rex), returns with his tail between his legs to Texas City, Texas, a small oil town south of Houston with twenty-two dollars in his pocket. He manages to convince his wife Lexi (Brie Elrod), with whom he’s separated, and his mother-in-law, to let him crash for a few days.

Promises are made. Mikey will find a job and he’ll put in his share of the rent.

CANNES, France - Ethics and civility are not synonymous with honor but it’s generally understood, by most, that if you adhere to an ethical and civil conduct in life, honor will naturally flow from it. The idea of honor endures more or less overtly in Iranian society, and Asghar Farhadi’s new film “A Hero” thrives on it as leitmotif. The honor of one man, a painter calligrapher, crushed by debt after a business venture goes south. The honor of those

This year's iteration of AFI DOCS showed once again that truth is more important than ever. Documentaries are enjoying a golden age, with not only major filmmakers but up-and-comers getting into the form to show us what is really real in our world. Many looked into the past, whether it was examining some truly courageous nuns or popping open the vault of a departed rock star. Some examined ongoing issues, such as gender pay gaps in sports

CANNES, France - A passing of the torch, of sorts, happened this year in Cannes, quietly: Jafar Panahi, high priest of Iranian cinema, bestowed the title upon his son (figuratively, of course). The Panahi name also became synonymous with a film dynasty, the counterweight, if one were to unseriously look at world cinema as a congeries of fiefdoms, to the House of Makhmalbaf.

Panahi, whose films

France counts a growing number of filmmakers making cool cinema and getting their films into festivals like Cannes, Berlin and the Biennale. Names such as Julia Ducournau (“Grave”), Hafsia Herzi (“Bonne Mère”) and Eva Husson come to mind, all of whom are presenting films this year at Cannes. The latter has directed her fourth film, "Mothering Sunday." Her previous work, "The Girls of the Sun," left me cold