David Chase has gone from “The Sopranos” to taking a sixties-rock nostalgia trip with “Not Fade Away." It’s a film that knows its subject well enough, and even has E-Street Band member Steven Van Zandt to help pick the bluesy rock-infused soundtrack. And yet I don't know what I'm supposed to take away from the band focused on here. Doug (John Magaro) is a New Jersey kid inspired by The Rolling Stones, and girls, to start a band with

Charles Durning left us today. With appearances in over a [...]

“Promised Land” is the movie that Matt Damon and John Krasinski of “The Office” teamed up to write. Damon was even going to direct at one time before scheduling conflicts encouraged them to bring on Gus Van Sant. Damon is Steven, vice-president of a natural gas company who travels with his partner (Frances McDormand) to the rural town of McKinley in order to buy up people’s land and drill for gas. He promises money

Main theme, Caetano Veloso (O Quatrilho, directed by Bruno Barreto), [...]

How do you say "can't we all just get along?" in French? The infamous expression would fit perfectly. A week ago we ran the letter that French actor Gérard Depardieu had published in a French daily in response to that country’s prime minister calling him “pathetic” for emigrating to Belgium over the excessively high tax rate which was imposed on his revenues. Depardieu, who’s been a well-loved

“Jack Reacher," based on the Lee Child novel “One Shot," begins chillingly enough with the stigma of the recent tragedy in Connecticut. A sniper looks through his scope and guns down five people in cold blood. But while “Reacher” is far from perfection it doesn’t deserve this kind of relevance, either. The shooting inquiry brings Reacher (Tom Cruise) to Pittsburgh. He’s an investigative officer acquainted with the suspect believed to be

"Zero Dark Thirty" may be the best unentertaining movie I've seen this year. This is Kathryn Bigelow’s second film based on the war on terror, and it is just as much of an imperfect as it is an interesting take on the past decade as “The Hurt Locker,” and has roughly the same type of main character in it. “Zero” is very easy to follow, comes off impeccably well-researched and has a terrific performance sure to get some award consideration