[jwplayer config=”Default-Post-Player” playlistid=”4856″][jwplayer config=”Default-Post-Player” mediaid=”15061″]

“The Sorcerer and the White Snake” does what so many fairytale romances--“Twilight” and “Warm Bodies," to name a few--don't: it goes big. This 2011 Hong Kong film by Chinese choreographer and action director Ching Siu-Tung a.k.a "Tony Ching," recounts the story of a demon--actually a white snake with the seductive head and shoulders of a woman (Eva Huang)--who falls in love with a poor herbalist (Raymond Lam)

The film may have already convinced the Oscars jury, but internet users will now be able to make up their own opinion about it: "Paperman," a short film presented at the Annecy animad film festival last June, was added last week to Disney's Youtube channel.

The seven-minute film, which was screened in cinemas as the opener for "Wreck-it Ralph," will compete in the "Best Animated Short"

[jwplayer config=”Default-Post-Player” playlistid=”4856″][jwplayer playlistid=”4856″]

You never want the word “cute” to be associated with Al Pacino or Christopher Walken to begin with, let alone an action-comedy starring both of them. You certainly don’t want the term “sappy” to apply. Unfortunately, Fisher Stevens’s "Stand Up Guys" is just that: cute and sappy, with too few smart-alecky laughs to spice up its bland soul. Pacino is a faded hitman just sprung from a twenty eight-year jail stint for the accidental killing of a

I wish I could have been in on the creative meeting when the producers were discussing titles for this thing. Formerly called “Headshot," before someone presumably thought that title was too sissified, “Bullet to the Head” is about as apt a description for a film as I’ve seen in a while. But for all the empty violence, “B2TH” is still kind of fun and compared to last week's “Parker," its craftsmanship at its best. Sylvester Stallone plays Joe Bobo, a New Orleans

There won't be any showings of “Zero Dark Thirty” for Pakistan's audiences. That country’s government and the film industry has censored Kathryn Bigelow's latest film in order not create too much of a hoopla around the fact that the U.S. successfully took out the world’s most dangerous terrorist and leader of Al Qaeda on May 2, 2011. Despite the controversy over the perspective given by the film that torture is a justifiable means to an