Never has there been a story of more woe than Carlo Carlei’s lukewarm adaptation of "Romeo and Juliet," that most eminent of romantic tragedies. The problem with this film adaptation is that it is about as romantic as a bad date and the acting performances are worthy of a pre-Glee high-school production.
Bringing the star-crossed lovers to life––or
To say that critics have not been kind to Shane Salerno’s “Salinger” is an understatement. They call it subjective to the point of hagiography, bloated and overlong, the ultimate intrusion in the life of an author who lived on the equivalent of a mountaintop in order to be left alone by the myriad fans enthralled for the last two generations by his single book, “The Catcher in the Rye.” They say the music is syrupy
How not to be a little envious of Robert Rodriguez? The guy weaponizes women's tits for a living, fer chrissakes.
The Texan native, all charm and brawniness, is a man's man: he sticks to his guns and traces his own destiny. And even though he makes oft-gruesome movies, films like "Planet Terror" and "El Mariachi" have their place in the American canon. Besides
The most striking aspect of “Wadjda” isn’t so much that it’s the first movie filmed entirely in Saudi Arabia, a country bereft of movie theatres, or that it is the product of a female writer and director (Haifaa al-Mansour): it’s that it manages to make the viewer forget these achievements thanks to its elegant plot and the understated, admirable performances of its actors.
Set in a suburb of Riyadh
French-Greek filmmaker Costa-Gavras is the director behind such legendary films [...]
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