Today, after a six month-press war launched by filmmaker Abel Ferrara against his chief financier, Vincent Maraval (French distributor Wild Bunch's head honcho) and IFC Films, the R-rated cut of Ferrara’s originally unrated “Welcome to New York” is opening theatrically—to Ferrara’s chagrin—in the US.

It is, however, only showing at one theater: The Roxie, in San Francisco.

The slyest aspect about Lone Scherfig’s “The Riot Club” is also its most maddening one. Structurally, the whole production is a come-on, a tease, a manipulative stunt. It begins in lusciously ribald fashion as we are treated to nineteenth-century sexual shenanigans amid the upper classes at Oxford University: white wigs, splashy capes and all. A beloved hedonist is murdered after cuckolding an older man; to pay heed to his decadence, his peers vow to start a club

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June 1996 - “Independence Day” slain the monster, bringing in more than $ 300 million in sales. Its director, Roland Emmerich, has planned a sequel, called "ID2," and pre-production is to begin in the next few weeks. But that’s not really all that exciting anymore. What’s interesting, and rather weird, is the fact that French actress Charlotte Gainsbourg will have a leading role in “ID2.” Yes, Gainsbourg

(PARIS) Here’s guessing you’re not going to see French cinéaste Abdellatif Kechiche (at left in picture) and producer/distributor Marin Karmitz enjoying onion soup together at Le Sélect anytime soon. A court in France ruled that Palme D’Or recipient Kechiche (“Blue is the warmest color,” a.k.a. “La vie D’Adèle” in the original French title) did not fulfill the terms of the contract that bound him to MK2

Brazilian filmmakers sometimes cast a punishing gaze toward the social ills of their country. It's a feat of uninhibited self-examination that can make the viewer unsettled but also subdued by the beauty and mystery of this country, the directness of the image and the stirring tales of woes encountered by the characters who populate them. Starting tomorrow and running through to May 18th the Cinémathèque Française will be

IMDB’s External reviews page is conceivably the most complete index of film reviews in the history of computer-literate mankind. It's almost the most neglected one. Anyone who's needed to look up information about a film knows that External Reviews is it, a high-affluence destination where film critics post their point of view about any given film. But I'm guessing that more than a few people would rather run off to Reddit or Rotten