• Anne Hathaway appearing in a musical doesn't surprise me. Her entire Oscar hosting gig felt like a four-hour audition for Glinda the Good Witch in the upcoming movie musical for "Wicked." But who knew she could be so devastatingly good as Fantine, a woman struggling through poverty in France's revolutionary days who winds up forced to sell her teeth, hair and self to support her young daughter Cosette. Hathaway is going to

  • David Chase has gone from “The Sopranos” to taking a sixties-rock nostalgia trip with “Not Fade Away." It’s a film that knows its subject well enough, and even has E-Street Band member Steven Van Zandt to help pick the bluesy rock-infused soundtrack. And yet I don't know what I'm supposed to take away from the band focused on here. Doug (John Magaro) is a New Jersey kid inspired by The Rolling Stones, and girls, to start a band with

  • “Promised Land” is the movie that Matt Damon and John Krasinski of “The Office” teamed up to write. Damon was even going to direct at one time before scheduling conflicts encouraged them to bring on Gus Van Sant. Damon is Steven, vice-president of a natural gas company who travels with his partner (Frances McDormand) to the rural town of McKinley in order to buy up people’s land and drill for gas. He promises money

  • “Jack Reacher," based on the Lee Child novel “One Shot," begins chillingly enough with the stigma of the recent tragedy in Connecticut. A sniper looks through his scope and guns down five people in cold blood. But while “Reacher” is far from perfection it doesn’t deserve this kind of relevance, either. The shooting inquiry brings Reacher (Tom Cruise) to Pittsburgh. He’s an investigative officer acquainted with the suspect believed to be

  • "Zero Dark Thirty" may be the best unentertaining movie I've seen this year. This is Kathryn Bigelow’s second film based on the war on terror, and it is just as much of an imperfect as it is an interesting take on the past decade as “The Hurt Locker,” and has roughly the same type of main character in it. “Zero” is very easy to follow, comes off impeccably well-researched and has a terrific performance sure to get some award consideration

  • “This is 40”, the“sorta” sequel to “Knocked up”, is “sorta”terrible and when I say sorta, I mean a lot. So many movies, TV shows, and even prior Judd Apatow films have tried to sitcomize the pitfalls of marriage to the point where it’s been done to death. Being that this was an Apatow flick, I was hoping he would have a fresh take, but this is without question his worse film and one of the worse of the year, too. Paul Rudd and Leslie play Pete

  • “The Guilt Trip” is the kind of film you'd want to take your aunt to in order to make up for not calling her often enough during the year. Or anyone who enjoys predictable and fluff entertainment, for that matter. "Breezy," "cute," and "nice" apply, with Barbara Streisand and Seth Rogen doing their damndest best to make these qualifiers stick. The "Funny Girl" performer plays Joyce, a lonely widow who devotes most of her time to her only son Andy