The hypocrisy of religion, the bigoted truth about the moral majority and the bawdy sexual proclivities of Jerry Falwell Jr. and his swinging wife are front and center in Billy Corben’s sharp documentary “God Forbid: The Sex Scandal that Brought Down a Dynasty."

The film dives right into the nasty business of yet more disreputable goings-on in the American Christian community, thanks to its

In Tobias Lindholm’s “The Good Nurse,” the sharply-refined lead performances from Eddie Redmayne and Jessica Chastain are so strong that they make viewers forget about a screenplay that doesn’t always live up to their work.

Written by Krysty Wilson-Cairns (“1917,” “Last Night in Soho”) and based on the book by Charles Graeber, the film focuses on the crimes of Charles Cullen, a nurse who, over the

If 1980’s “Terror Train” is considered a slasher film classic by horror afficionados Philippe Gagnon’s 2022 “Terror Train,” likely, will not.

Written by Ian Carpenter and Aaron Martin, the new version of “Terror Train” takes the original film’s plot and drains the fun and creativeness out of it.

After its screening during the Brooklyn

Sixteen years later writer and director Todd Field has returned to directing with “Tár,” an artful array of cinematic tics with a strong message concerning the nearly-unwinnable war against the puerile arguments of the cancel culture generation.

Consistently interesting, Field’s screenplay is full of ideas and sharp dissections of the world we live in today, all revealed through

An ancient terror hidden deep in a bog is the source of the evil held in the creepy Shudder original film “Moloch."

While lifelong horror aficionados might not get the benefits of full-on frights (we horror fans have seen it all), the film’s eerie aura is quite effective and holds a sense of unease throughout.

In this effective supernatural creeper

There just isn’t enough story to carry Olivia Wilde’s “Don’t Worry Darling” through a feature length running time. While the premise is there, the screenplay (from Katie Silberman, and Carey & Shane Van Dyke) fails to have anything new or interesting to say about the film’s themes, nor does Wilde have the skills as a director to pull it all off.

In an attempt to mix different genres

From the start, Allan Ungar’s “Bandit” takes the wrong storytelling route, in both its screenplay and casting of the lead role.

Kraig Wenman adapted Ed Arnold and Robert Knuckle’s novel “The Flying Bandit: Bringing Down Canada's Most Daring Armed Robber,” morphing this undeniably exciting true tale into a comedy of errors, sort of. Sadly, the true error is in the screenplay.