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Recent Posts:
- Sundance: “MAMACRUZ”
- Sundance: “FAIRYLAND”
- Sundance | “LITTLE RICHARD: I AM EVERYTHING”
- Sundance: “WILLIE NELSON & FAMILY”; documentary pays eloquent tribute to a unique soul
- Sundance: “FAIR PLAY”
- Sundance: “RUN RABBIT RUN” and “BIRTH/REBIRTH”
- Sundance: “SOMETIMES I THINK ABOUT DYING”
- Sundance: what’s on tap
- Hollywood Reporter hosts international feature shortlist in Palm Springs
- PALM SPRINGS FESTIVAL, the final dispatch until next year
- “THE SON” director Florian Zeller speaks about his new film at PALM SPRINGS FEST
- More filmmakers weigh in from the PALM SPRINGS FESTIVAL
- ‘RACIST TREES’ exposes the dark side of Palm Springs | INTERVIEW
- Luminous Léa Seydoux confronted with caring for an elderly parent in “ONE FINE MORNING” | REVIEW
- “THE PALE BLUE EYE”: a candlelit murder tale that uncovers the darker facet of our intellect | REVIEW
- “JANUARY 6TH”; filmmakers Jules and Gédéon Naudet revisit the attack on the Capitol | INTERVIEW
- THE YEAR’S TEN BEST MOVIES: “The Banshees of Inisherin” and others
- As Taliban predictably tightens grip on Afghanistan new documentary “RETROGRADE” goes back over the last nine months of U.S. presence | OUR INTERVIEW WITH FILMMAKER MATTHEW HEINEMAN
- Breaking down the myth of Richard Davis in “2ND CHANCE” | Our interview with Ramin Bahrani
- The infamous human cost of war highlighted in Dror Moreh’s “THE CORRIDORS OF POWER” | INTERVIEW
- Guillermo del Toro’s “PINOCCHIO” is pure magic for the heart, and mind | MOVIE REVIEW
- Iranian film “DREAMS’ GATE” selected at BERLINALE
- “A CHRISTMAS STORY” actor Zack Ward is raising money for Alzheimer’s research | INTERVIEW
- The year’s most exceptional film, “BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS,” fashions an enigma out of love and loss and cinema itself | INTERVIEW
- Sam Mendes and the stars of “EMPIRE OF LIGHT” discuss cinema’s glory days
- Hot on Venice win Chile advances to Academy Awards with retelling of child prostitution scandal | NEWS
- Brendan Fraser in brilliant comeback but “THE WHALE” was lost on us | FILM REVIEW
- DOC NYC, 2022 | THE TAKEAWAYS FOR US
- The uncertain nature of human connection explored in “THERE, THERE” | REVIEW
- “God Forbid: The Sex Scandal That Brought Down A Dynasty” | THE REVIEW
- Top performances by Jessica Chastain and Eddie Redmayne bolster an uneven “THE GOOD NURSE” | REVIEW
- The Falwells’s fall from grace gets the documentary treatment in ‘God Forbid’ and we talked with director Billy Corben about it | NEW ON HULU
- In “TERROR TRAIN” everyone is a suspect | REVIEW
- “UTAMA,” Bolivia’s entry for the Oscars, heads to theaters next month
- “TÁR”; with her commanding turn as an orchestra conductor enamored with Mahler, Cate Blanchett likely moves to pole position for a Best Actress Oscar | OUR REVIEW
- “We are each other’s business at the end of the day”; “TILL” comes out today and we spoke to director Chinonye Chukwu about it
- “MOLOCH” is an effective supernatural thriller leavened with a terrific ambient score | MOVIE REVIEW
- A good idea sabotaged by inconsistent filmmaking: “DON’T WORRY DARLING” | FILM REVIEW
- Josh Duhamel stars in “BANDIT” | FILM REVIEW
- “CONFESS, FLETCH” | REVIEW
- “SPIN ME ROUND” | THE REVIEW
- “DAY SHIFT” starring Dave Franco and Jamie Foxx | REVIEW
- “BREAKING” writers and director discuss the importance of ‘being heard’ | INTERVIEW
- “THE TERRITORY,” exploring the essence of land and belonging in the Amazon
- REVIEW | A lemon and a Ladybug walk into the café car; “BULLET TRAIN”
- “PREY” is a fantastic roller-coaster of an action picture! | REVIEW
- Morgan Freeman and Juliette Binoche star in “PARADISE HIGHWAY” | REVIEW
- Reviewed in brief: “IMAGE OF VICTORY,” “CLAYDREAM,” “LET ME BE ME,” “SIMCHAS AND SORROWS”
- In a Hollywood of recycled ideas and uninspiring filmmakers Jordan Peele’s voice is fresh; “NOPE” | REVIEW
- The life and times of the former Congresswoman from Arizona; “GABBY GIFFORDS WON’T BACK DOWN” | REVIEW
- Are we there yet? “THE FORGIVEN” | MOVIE REVIEW
- In a year of underwhelming (thus far) cinema “THE BLACK PHONE” does little to stand out | FILM REVIEW
- Austin Butler as Elvis Presley is a revelation, giving one of the best performances of recent memory; “ELVIS” | FILM REVIEW
- The man behind the record books, Nolan Ryan front and center in “FACING NOLAN” | FILM REVIEW
- Between youthful exuberance and independence, self-discovery; “ACID TEST” | FILM REVIEW
- “There really hasn’t been a lot of stories about Martha; “THE MARTHA MITCHELL EFFECT” on Netflix | INTERVIEW with filmmakers Anne Alvergue and Debra McClutchy
- Dances with Films LA: Jesse Spiegel’s “REWILDING,” Nem Stankovic’s “MY FRIEND TOMMY” and Zahida Pirani’s “EL CARRITO” | WHAT WE LIKE
- “JURASSIC WORLD DOMINION”; for all the promise it held the third film in the franchise failed to go off | REVIEW
- “JOHN LEGUIZAMO LIVE AT RIKERS,” “KAEPERNICK & AMERICA” and “NAKED GARDENS” | TRIBECA 2022 RECAP
- With “Last Seen Alive” it is the spark of originality that has been kidnapped | MOVIE REVIEW
- “CRIMES OF THE FUTURE:” like it or loathe it, you won’t see a more challenging film this year | REVIEW
- TV: “GEORGE CARLIN’S AMERICAN DREAM” on HBO, film examines what made the man a genius and shows us the bits that make him resonate today | REVIEW
- CANNES FESTIVAL: Winners announced, the Ruben Östlund-directed “Triangle of Sadness” awarded the Palme D’Or
- CANNES FESTIVAL: Bowie like you’ve never seen before in “MOONAGE DAYDREAM”
- Two highlighted films from the 2022 Human Rights Watch Festival, the Dina Amer-directed “YOU RESEMBLE ME” and “REBELLION”
- CANNES FESTIVAL: Ruben Östlund makes his return to the Croisette with “Triangle of sadness,” biting satire about our times
- CANNES FESTIVAL: Twenty years after the serial killings in Mashhad, Iran, “HOLY SPIDER”
- NEWS: Anthony Hopkins to portray Freud in adaptation of Mark St. Germain play
- CANNES FESTIVAL: James Gray’s return to his childhood with “ARMAGEDDON TIME”
- Christina Ricci in “MONSTROUS,” the film’s saving grace? OUR REVIEW
- CANNES FESTIVAL: caught between Egypt’s state apparatus and al-Azhar’s leadership, “BOY FROM HEAVEN”
- CANNES FESTIVAL: “EO,” no animals were harmed in the making of this film
- Titles for the Spring-Summer, festival fare: “HELP,” “GREYWATER,” “THE SANCTITY OF SPACE,” “WE ARE THE THOUSAND,” “CALABAZA” and “JAZZFEST: A NEW ORLEANS STORY”
- Owen Teague recalls making an intimate movie among the big skies, “MONTANA STORY”
- CANNES FESTIVAL: Kirill Serebrennikov finally here in Cannes to present TCHAIKOVSKY’S WIFE
- CANNES FESTIVAL: Marco Bellocchio’s ESTERNO NOTTE revisits the kidnapping and subsequent murder of Aldo Moro
- CANNES FESTIVAL: not beating around the bush, “Final Cut” (“Coupez!”) was insane and brilliant
- CANNES FESTIVAL: “For the sake of peace,” produced by Forest Whitaker
- CANNES FESTIVAL: DAY ONE ALMOST
- Ben Foster fights for his life in “THE SURVIVOR” | REVIEW
- On Chicago’s South side, examining racially-motivated police violence and corruption frontally: “61st Street”
- Thora Birch, Terry Zwigoff, Guillermo Del Toro and SOY CUBANA’s filmmaker Jeremy Ungar help cap off EBERTFEST 2022
- Reality isn’t real anymore, “MAINSTREAM”
- Cries, whispers and laughter from the floor to the screen–it’s EBERTFEST 2022!
- In an chaotic world Gustavo Dudamel, steady hand and kind soul, encourages and inspires: “¡VIVA MAESTRO!”
- Ricky Ringer has long been in the rodeo limelight but his star never shone as bright as it should have | RIDE TILL I DIE
- Jared Leto in “MORBIUS” | MOVIE REVIEW
- “Life & Beth” (TV) is a sweet tale about good people who are just trying to figure it all out. You know, like each and every one of us does | SERIES REVIEW
- MOVIE REVIEW: “DEEP WATER”
- Oscar-winning screenwriter Graham Moore takes the directing reins with “The Outfit” | REAL TALK
- “THE BATMAN”: the film is always entertaining, interesting and never feels long | REVIEW
- Some exciting new films at SBIFF and SXSW | THE DEBRIEF
- “Fresh” or the vagaries of dating in the modern world | MOVIE REVIEW
- “The Weekend Away,” now showing on Netflix | OUR THOUGHTS
- “Lucy and Desi” | DOCUMENTARY REVIEW
- “Studio 666”; rated R for buckets of blood, bagfuls of profanity and some L major chords
- MOVIE REVIEW: “The Other Me”
- BERLINALE : “El Norte Sobre el Vacío” | REVIEW
- “KIMI” is one of Soderbergh’s strongest films in a while | MOVIE REVIEW
- Renate Reinsve in the Joachim Trier-directed THE WORST PERSON IN THE WORLD