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Recent Posts:
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- Josh Duhamel stars in “BANDIT” | FILM REVIEW
- “CONFESS, FLETCH” | REVIEW
- “SPIN ME ROUND” | THE REVIEW
- “DAY SHIFT” starring Dave Franco and Jamie Foxx | REVIEW
- “BREAKING” writers and director discuss the importance of ‘being heard’ | INTERVIEW
- “THE TERRITORY,” exploring the essence of land and belonging in the Amazon
- REVIEW | A lemon and a Ladybug walk into the café car; “BULLET TRAIN”
- “PREY” is a fantastic roller-coaster of an action picture! | REVIEW
- Morgan Freeman and Juliette Binoche star in “PARADISE HIGHWAY” | REVIEW
- Reviewed in brief: “IMAGE OF VICTORY,” “CLAYDREAM,” “LET ME BE ME,” “SIMCHAS AND SORROWS”
- In a Hollywood of recycled ideas and uninspiring filmmakers Jordan Peele’s voice is fresh; “NOPE” | REVIEW
- The life and times of the former Congresswoman from Arizona; “GABBY GIFFORDS WON’T BACK DOWN” | REVIEW
- Are we there yet? “THE FORGIVEN” | MOVIE REVIEW
- In a year of underwhelming (thus far) cinema “THE BLACK PHONE” does little to stand out | FILM REVIEW
- Austin Butler as Elvis Presley is a revelation, giving one of the best performances of recent memory; “ELVIS” | FILM REVIEW
- The man behind the record books, Nolan Ryan front and center in “FACING NOLAN” | FILM REVIEW
- Between youthful exuberance and independence, self-discovery; “ACID TEST” | FILM REVIEW
- “There really hasn’t been a lot of stories about Martha; “THE MARTHA MITCHELL EFFECT” on Netflix | INTERVIEW with filmmakers Anne Alvergue and Debra McClutchy
- Dances with Films LA: Jesse Spiegel’s “REWILDING,” Nem Stankovic’s “MY FRIEND TOMMY” and Zahida Pirani’s “EL CARRITO” | WHAT WE LIKE
- “JURASSIC WORLD DOMINION”; for all the promise it held the third film in the franchise failed to go off | REVIEW
- “JOHN LEGUIZAMO LIVE AT RIKERS,” “KAEPERNICK & AMERICA” and “NAKED GARDENS” | TRIBECA 2022 RECAP
- With “Last Seen Alive” it is the spark of originality that has been kidnapped | MOVIE REVIEW
- “CRIMES OF THE FUTURE:” like it or loathe it, you won’t see a more challenging film this year | REVIEW
- TV: “GEORGE CARLIN’S AMERICAN DREAM” on HBO, film examines what made the man a genius and shows us the bits that make him resonate today | REVIEW
- CANNES FESTIVAL: Winners announced, the Ruben Östlund-directed “Triangle of Sadness” awarded the Palme D’Or
- CANNES FESTIVAL: Bowie like you’ve never seen before in “MOONAGE DAYDREAM”
- Two highlighted films from the 2022 Human Rights Watch Festival, the Dina Amer-directed “YOU RESEMBLE ME” and “REBELLION”
- CANNES FESTIVAL: Ruben Östlund makes his return to the Croisette with “Triangle of sadness,” biting satire about our times
- CANNES FESTIVAL: Twenty years after the serial killings in Mashhad, Iran, “HOLY SPIDER”
- NEWS: Anthony Hopkins to portray Freud in adaptation of Mark St. Germain play
- CANNES FESTIVAL: James Gray’s return to his childhood with “ARMAGEDDON TIME”
- Christina Ricci in “MONSTROUS,” the film’s saving grace? OUR REVIEW
- CANNES FESTIVAL: caught between Egypt’s state apparatus and al-Azhar’s leadership, “BOY FROM HEAVEN”
- CANNES FESTIVAL: “EO,” no animals were harmed in the making of this film
- Titles for the Spring-Summer, festival fare: “HELP,” “GREYWATER,” “THE SANCTITY OF SPACE,” “WE ARE THE THOUSAND,” “CALABAZA” and “JAZZFEST: A NEW ORLEANS STORY”
- Owen Teague recalls making an intimate movie among the big skies, “MONTANA STORY”
- CANNES FESTIVAL: Kirill Serebrennikov finally here in Cannes to present TCHAIKOVSKY’S WIFE
- CANNES FESTIVAL: Marco Bellocchio’s ESTERNO NOTTE revisits the kidnapping and subsequent murder of Aldo Moro
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- CANNES FESTIVAL: “For the sake of peace,” produced by Forest Whitaker
- CANNES FESTIVAL: DAY ONE ALMOST
- Ben Foster fights for his life in “THE SURVIVOR” | REVIEW
- On Chicago’s South side, examining racially-motivated police violence and corruption frontally: “61st Street”
- Thora Birch, Terry Zwigoff, Guillermo Del Toro and SOY CUBANA’s filmmaker Jeremy Ungar help cap off EBERTFEST 2022
- Reality isn’t real anymore, “MAINSTREAM”
- Cries, whispers and laughter from the floor to the screen–it’s EBERTFEST 2022!
- In an chaotic world Gustavo Dudamel, steady hand and kind soul, encourages and inspires: “¡VIVA MAESTRO!”
- Ricky Ringer has long been in the rodeo limelight but his star never shone as bright as it should have | RIDE TILL I DIE
- Jared Leto in “MORBIUS” | MOVIE REVIEW
- “Life & Beth” (TV) is a sweet tale about good people who are just trying to figure it all out. You know, like each and every one of us does | SERIES REVIEW
- MOVIE REVIEW: “DEEP WATER”
- Oscar-winning screenwriter Graham Moore takes the directing reins with “The Outfit” | REAL TALK
- “THE BATMAN”: the film is always entertaining, interesting and never feels long | REVIEW
- Some exciting new films at SBIFF and SXSW | THE DEBRIEF
- “Fresh” or the vagaries of dating in the modern world | MOVIE REVIEW
- “The Weekend Away,” now showing on Netflix | OUR THOUGHTS
- “Lucy and Desi” | DOCUMENTARY REVIEW
- “Studio 666”; rated R for buckets of blood, bagfuls of profanity and some L major chords
- MOVIE REVIEW: “The Other Me”
- BERLINALE : “El Norte Sobre el Vacío” | REVIEW
- “KIMI” is one of Soderbergh’s strongest films in a while | MOVIE REVIEW
- Renate Reinsve in the Joachim Trier-directed THE WORST PERSON IN THE WORLD
- Sundance and Slamdance are behind us but two more related titles, THE CONDUCTOR and WHEN WE WERE BULLIES, are mentionworthy, still
- SUNDANCE 2022, “Mija,” “What They’ve Been Taught,” “Stranger Than Rotterdam” and SLAMDANCE COVERAGE, TOO | WRAP-UP
- LAST OF SUNDANCE 2022 | The Jesse Eisenberg-directed “When You Finish Saving the World”
- SUNDANCE 2022 WINNERS ANNOUNCED, “Nanny” by Nikyatu Jusu wins top prize!
- SUNDANCE 2022 | “We Need To Talk About Cosby” (REVIEW)
- SUNDANCE 2022 | “Alice”
- SUNDANCE 2022 | “Resurrection” and “You Won’t Be Alone”
- SUNDANCE 2022 | “Speak No Evil”
- SUNDANCE 2022 | “AFTER YANG”
- SUNDANCE 2022 | KATE BOSWORTH in “Bring On The Dancing Horses”
- “LAST WORDS,” a journey, an encounter, building a new tomorrow with others survivors | REVIEW
- “The Beauty President,” “Attica,” Alex Gibney’s “The Forever Prisoner” | DOC-WISE WHAT TO WATCH IN 2022
- “Don’t Look Up” and “The Last Duel,” ANTHONY FRANCIS on the year that was
- “East of the Mountains” and “Supernova” among some of this year’s best films | ERIC ALTHOFF’S 2021 ROUND-UP
- “There is no evil” (directed by Mohammad Rasoulof) | REVIEW
- THIRTY YEARS OF ADDICTION AND JAIL : “Life of Crime, 1984-2020”
- INTERVIEW | Peter Middleton and James Spinney; “The Real Charlie Chaplin”
- The Lin-Manuel Miranda-directed tick, tick…BOOM! is one of the YEAR’S BEST!
- LE DIVORCE: The Cannes Festival and its main sponsor Canal Plus part ways
- Forty years later, revisiting disco inferno with “Mr. Saturday Night” | THE DIRECTOR’S INTERVIEW
- Project Recover, an NGO that searches and repatriates the remains of the lost pilots and sailors from the South Pacific, at the heart of “To What Remains,” currently showing in theaters | DOCUMENTARY
- Céline Sciamma’s PETITE MAMAN, a deeply-affecting story about the reassuring ties of friendship in childhood
- “I’M GOING TO FOLLOW MY INSTINCTS AS I ALWAYS HAVE”: talking with KENNY G about the new documentary “Listening to Kenny G” (directed by Penny Lane)
- Mescaline! Murder! Sensationalistic journalism! “THE ACID KING”
- “People often use the term feel-good movie like it’s dismissive, if our audience comes out of the theater feeling good then we’re completely happy” JULIE COHEN AND BETSY WEST on the making of “JULIA”
- DOC NYC once again provides a wealth of true-to-life tales: TAKEAWAYS
- “We all come from dust, and to dust we’ll all return,” THAT COLD DEAD LOOK IN YOUR EYES (REVIEW)
- “It’s amazing because you don’t know what the story is going to be, and I love that risk”: Jesse Moss on MAYOR PETE
- “RED NOTICE” in so many words | OUR REVIEW
- Eleanor Lambert is all poise in the slow-brewed thriller “TIME NOW” | OUR MOVIE REVIEW
- THE LABYRINTH OF CINEMA, the final film from Nobuhiko Ōbayashi and a love letter to cinephiles
- “Introducing, Selma Blair” and “Mass” | REVIEWS
- DOPESICK ON HULU: “This con was so outrageous that I thought we’ve got to dramatize this” (OUR INTERVIEW WITH DANNY STRONG AND BETH MACY)
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- FROM THE SLASHER FLICK DOSSIERS : “There someone inside your house” (REVIEW)
- MOVIE REVIEW: “The Killing of Kenneth Chamberlain”
- LGBTQ HISTORY MONTH IS HERE and with it, new documentaries to take note of: “My Name is Pauli Murray” and “The Capote Tapes”