We all remember the slow-motion ballet of bullets that closed Arthur Penn’s 1967 “Bonnie and Clyde,” with Warren Beatty and Faye Dunaway’s gangster-lovers meeting their violent demise on a rural Louisiana highway. It remains one of the most grippingly awful endings to a film, and as you watch it, it feels like it goes on forever.In reality it was just sixteen seconds. More than a half-century after Penn’s film

Agnès Varda, gone? Is this even possible? Wasn’t she the one renewing herself with every decade, with every year, always growing new skin, always morphing into a new language, another mode of expression, breaking barriers, making art forms flow into each other? Wasn’t she the little lady with the funny hair who started out as a photographer, commissioned by no less a luminary than Jean Vilar to document the

In November 2008, ten devotees of the extremist group Lashkar-e-Taiba staged a dozen terror attacks across Mumbai, resulting in over a hundred deaths. The final and most dramatic stage of the assault took place as the Taj Mahal Palace Hotel, where several of the terrorists held the hotel under siege for three days, killing dozens in the process with automatic weapons and explosives while being directed via phone by someone in

By the end of Alison Klayman’s Stephen K. Bannon documentary “The Brink”even the most liberal viewer may find themselves rooting for the alt-right agitprop mastermind. In “The Brink,” which opens Friday, Klayman presents a cinema vérité year in the life of Bannon, from the time of his firing from the Trump White House and culminating in the 2018 midterm elections, which saw the Democrats retake the House

Korean cinema was born at a time when the peninsula was still under Japanese control (since 1910). It immediately became a tool of resistance, with communists, especially, seizing on this opportunity. Na Un-gyu directed, in 1926, the first known (but since lost) film, “Arirang.”And yet, cinema as we know it today was borne of the civil war (1950-1953), a conflict that resulted in the country being split. North Korean cinema

Labaki rising. Last year she won the Jury Prize at [...]

Narendra Modi now has his own biopic. It will come out early next month. Modi is played by actor Vivek Oberoi, with Rajendra Gupta, Prashant Narayanan, Zarina Wahab, Barkha Bisht Sengupta, Boman Irani, Darshan Kumar and Yatin Karyekar, among others, in the supporting roles. This biopic was directed by Omung Kumar, who has earlier helmed films such "Mary Kom," "Sarbjit and Bhoomi," two of which were based on