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For his follow-up to “In Bruges” director Martin McDonagh has assembled a cast touched upon by the eccentric-comedy gods. Everything about “Seven Psychopaths” defies convention and logic, an asset that adds to the outright lunacy on display. I loved how over-the-top it is, both in its bloody violence (people set afire, heads sawed off, a sequence so dementedly funny I wouldn’t want to ruin it) and willingness to

Ben Affleck’s gradual rise from the “Gigli” debacle to alpha-director-status is doubtlessly one of Hollywood’s best comebacks. And yet, the actor-director faces his toughest challenge yet with “Argo,” out in theaters today, a fresh take on a controversial international affairs incident. Six American diplomats stuck inside Tehran during the 1979-80 events there (hostage crisis, etc.) are rescued by a CIA extraction team under the pretense that

It started with "The Ring" in 2004 but now with the new movie "Sinister," in which a ghost haunts reels of old home movies, the poltergeists are putting more of a curse on film than 3-D. Writer-director Scott Derrickson, no stranger to the horror genre after dealing with demons in "The Exorcism of Emily Rose," tries his hardest to create a mood and some jump-out-of-your-skin scares but this new haunting is a far

“Aliens” would sooner burst out of my stomach than me [...]

History has not been kind to the eighties and neither [...]

NEW YORK FILM FESTIVAL - “Sopranos” creator David Chase should be commended for choosing some of the most heavily-mined subjects in all of fiction for his feature film debut, “Not Fade Away.” It’s a nostalgic growing-up story set in the early to mid-sixties, chronicling—as did Barry Levinson’s “Diner” and “Liberty Heights” and television’s “The Wonder Years”— rock’n’roll and its countercultural appeal which swept over that