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September 2011

  • Featured Review,In Theaters Now,Movies

    Drive

    It boils down to this: Drive is a decent film but I find its critical adoration bordering on reactionary. It’s fun to watch a team play in its throwback uniforms one game each year, and yes, Drive’s combination of sun-tinged neo-noir, eye-contact chemistry, gear grinding chases and silent leading man charisma makes chilling entertainment. But ever since its release at Cannes this May, the real attraction has been as a “man, they don’t make them like they used to

    April 29, 2012
  • Featured Review,Festivals,Venice

    [2011] VENICE BIENNALE | Shame & Tinker, Tailor, Soldier, Spy

    The surprise winner of the 68th Venice Film Festival was [...]

    July 27, 2013
  • Venice Film Festival featured Videos

    Orizzonti Closing

    [jwplayer config=”Festival-Playlist-Player” mediaid=”6559″]

    September 11, 2011
  • News

    Cliff Robertson leaves us

    Cliff Robertson died yesterday at age 88. His name may [...]

    April 29, 2012
  • Featured Review,In Theaters Now,Movies

    Griff the invisible

    Writer/director Leon Ford's feature debut “Griff The Invisible” is a cute, quirky film that, for all its good intentions, just doesn't quite come together the way it should. Starring Ryan Kwanten (“True Blood”) and Maeve Dermody (“Black Water”), this all-Aussie production takes its cues from beloved awkward-rom-coms like “Amelie” and “Benny & Joon.” Like Depp's character in that film, Kwanten's character, Griff, seems to suffer from some sort of vague mental

    April 19, 2014
  • News

    Eddie Murphy to host 2012 Academy Awards

    Eddie Murphy will host the 2012 Oscar ceremony. Here’s hoping [...]

    April 19, 2014
  • Featured Review,Festivals,Venice

    [2011] VENICE MOSTRA – Chicken with plums

    Marjane Satrapi’s “Poulet aux Prunes” (“Chicken with Plums”) is the French-Iranian filmmaker’s live-action adaptation of her namesake graphic novel. Co-directing once more with Vincent Paronnaud, who also worked on the 2007 film adaptation of “Persepolis,” Satrapi creates a fairly-tale 1950s Tehran as the backdrop for the story of Nasser Ali, a violinist (Satrapi’s uncle, or so she claims) who resolves to die

    April 19, 2014
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