The Film Society of Lincoln Center is planning a massive retrospective of Judy Garland’s movies between July 26 and August 9.

Highlights will include a sing-along screening of “The Wizard of Oz” (1939); screenings of the Andy Hardy classics that teamed Garland with Mickey Rooney classic and beloved musicals (“Meet me in Saint Louis; 1944) and her Academy Award-nominated performances in “A star is born” (1954) and “Judgment at Nuremberg” (1961)—thirty-ones titles in all.

Directed by Andrew Rossi (documentary). [jwplayer config=”TrailerPagePlayer” mediaid=”4037″]

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Unlike “Borat” which exploits similar stereotypes along the same leitmotiv (there’s the civilized West and then there’s everyone else), “Four Lions” manages to get several points across. In addition to lampooning jihadists for what they are, “Four Lions” pokes fun at xenophobia and chauvinism, too. And by doing so, director Chris Morris succeeds in exorcising the film of its risque subject matter far more effectively than had its story had been reduced to a one-dimensional, laugh-a-minute premise.