• “The Guilt Trip” is the kind of film you'd want to take your aunt to in order to make up for not calling her often enough during the year. Or anyone who enjoys predictable and fluff entertainment, for that matter. "Breezy," "cute," and "nice" apply, with Barbara Streisand and Seth Rogen doing their damndest best to make these qualifiers stick. The "Funny Girl" performer plays Joyce, a lonely widow who devotes most of her time to her only son Andy

  • So who’s ready for another nine plus hours of hobbits, dwarves, orcs, elves, and Gandalf? Honestly the way director Peter Jackson, taking his fourth trip to Middle Earth, has worked this first of “The Hobbit” trilogy; it will feel like it’s going by in a flash. I’m so impressed with what he’s done here; proving again that nobody could do a better job of bringing J.R.R Tolkien’s stories to the screen quite like him. This one starts with the dwarves

  • A romantic comedy may feel like a strange new direction for director David O. Russell (“I Heart Huckabees,” “The Fighter") but his adaptation of Matthew Quick’s namesake novel is a winner, serving up equal parts romance and uplifting drama. What of Bradley Cooper 2.0? He plays a demanding role to perfection. His Pat Solatino, a bipolar Philadelphia man who spent eight months in a psych ward after a brutal beating put on

  • “Men in Black 3” is a paycheck movie for everyone […]

  • Keira Knightley and filmmaker Joe Wright ("Atonement") team up again to cover a celebrated work of European literature, this time focusing on forbidden love among the Russian aristocracy described by Tolstoy. The latter has directed a gorgeous-looking, if overindulgent, film, although nary a soul is to be found in it. Knightley, as the title character, wallows in her loveless marriage to politician Alexei Karenin (Jude Law). She falls in love

  • The principal pleasures of “Hitchcock”—which, in the end, is a film of decidedly few pleasures—comes from watching Anthony Hopkins’s transformation into the Master of Suspense. Hopkins may have worn a fat suit and prosthetics for the role, and he may not possess the disproportionately gaunt cheekbones and bulbous nose of the real Hitchcock (the star’s nose is so pointy here it almost upstages his character’s alarmingly

  • You know those shipwreck movies where the castaways end up on some island and they have to start from scratch finding food, shelter, and, let's say in the case of “Lord of the Flies,” figure out how to govern themselves? Well, “Life of Pi” makes those movies look like a vacation in Bora Bora. Ang Lee’s adaptation of Yann Martel’s best selling novel (M. Knight Shyamalan was, at one point, attached to write and direct the project) is one of the