When the documentary “Love, Gilda” premiered at last year’s Tribeca film festival I got left out in the cold. No ticket, it was a sellout. But after taking in the film’s premiere on CNN recently, I could see why “Love, Gilda” would garner such success. This tribute of the life of late comedienne Gilda Radner (1946-1989) is filled with warmth, cheer and heart. I was incredibly fortunate to be able to chat with Lisa D’Apolito about this
THANK YOU FOR PLAYING provided “some of the most heart-breaking moments at the last Tribeca Festival
Every year, thousands of gamers, programmers, and journalists converge at the Penny Arcade eXpo (PAX) to celebrate video game culture. As one of the world’s premier gaming conventions, the booths and hallways are choked with endless screens of pixelated carnage and mayhem. All except for one, that is. At this booth, a quiet middle-aged man guides players towards a video game that isn’t about killing and destruction but survival and life.
Onur Tukel’s APPLESAUCE is a mess. But the problem is that I’m almost certain that it was intended to be a mess from the very beginning. Like an Ornette Coleman record, the unity comes from the disunity and spontaneity of non-harmonious elements blended together around a central theme. In the case of APPLESAUCE, that theme is perhaps the necessity of empathy. Spurred on by a controversial radio host who encourages people
I recently caught up with Sharon Badal, Short Film Programmer of the Tribeca Festival, and what I learned in thirty minutes could land dozens of books on “How to Make Short Films” in the recycle bin. Sharon's information about this underrated and experimental format, which has long been a filmmaker’s stepping stone, both confirmed some festival dos and donts and disproved some long-held theories about the short film submission process. For instance, Tribeca loves comedies