Latin America as a matriarchal society is a reality that’s alive and well in director Sebastian Silva’s ‘The Maid’ (La Nana). Raquel (Catalina Saveedra) has been a live-in maid for twenty-five years with the Valdes family, an outpost of affluence based in the Chilean capital. And from the looks and sounds of it in ‘The maid,’ women not only rule the coop but fathers are relegated to merely ... more >