Leave it to the consistently inventive Steven Soderbergh to craft [...]

Steven Soderbergh is continually one of our most adventurous filmmakers, he’s an artist who takes chances and one who is consistent in taking on projects that are far removed from his last ones. “KIMI” is the director’s latest, he continues his streak of interesting work.

An extraordinary Zoe Kravitz stars as Angela Childs, she works for a tech company that makes KIMI, a version of our own Alexa. 

Regrets. The characters in Steven Soderbergh’s latest film have had a few.

Writer Deborah Eisenberg’s first screenplay “Let Them All Talk” is smart and literate and a welcome cinematic character study of people behaving like human beings.

Meryl Streep dives into one of her best roles in years playing Alice, an award-winning author who is up for yet another one

Steven Soderbergh is perhaps our most adventurous filmmaker. He straddles the worlds of big-budget Hollywood and Independent cinema with ease and skill. We never know what kind of film he will do next and, good or bad, Soderbergh always surprises.

His latest film is “The Laundromat,” a look at the Panama Papers scandal based ever so loosely on Jake Bernstein’s book

The scandal surrounding the revelations contained in the Panama Papers is labyrinthine. So complex, in fact, that Pulitzer Prize-winning investigative journalist Jake Bernstein spent years unearthing the intricacies of the enmeshment of the financial system and Russian interests for his book, “Secrecy World: Inside the Panama Papers Investigation of Illicit Money Networks and the Global Elite,” which came out in 2017.

I tried really really hard to get through Steven Soderbergh's "state of cinema" address which he gave at the San Francisco Film Festival a couple of days ago. I figured, there's an American filmmaker who portrays himself an intellectual, and has made cerebral films in the past, and now he's giving an address about cinema and maybe it's going to grab me and elevate the senses. So I read on, and pretty soon ran

In addition to being his supposedly last theatrical film director Steven Soderbergh, for a while, would have you believe “Side Effects” could be his best—a complex thriller about psychiatric drugs—only to lose its focus almost entirely and make you wish screenwriter Scott Z. Burns took a shot of Ritalin. Martin and Emily (Channing Tatum and Rooney Mara) are a New York couple with issues. He has just been released from prison for insider