Philipino director Brillante Ma Mendoza finished editing his film Serbis just days before it was screened at the Cannes Festival as part of the Selection Officielle. It showed--or rather, it sounded, like it was a rush job. A rougher-than-necessary-cut was shown to the press corps including this writer. The street sounds completely overwhelmed the exterior shots (Serbis reads like a Sixties ... more >