Two people. A ride from JFK airport to midtown Manhattan: “DADDIO” is one of this year’s best films!
Writer-director Christy Hall’s “Daddio” is a smart and ambitious work […]
Jean-Stéphane Sauvaire's "Asphalt City" is a film that injects its nearly nonstop intensity into the the veins of the audience from the first shot. The director sees the darker side of the New York City night as a whacked-out boulevard of death awash in the pulsating red lights of the ambulances, cop cars, and fire engines that cut through the detritus of the city.
Tye Sheridan is Ollie Cross, a rookie paramedic in his first few weeks on the job. Working on his MCAT in the hope of being a doctor. Ollie rides in an ambulance all over the East New Yor
In “Black Flies” the full-frontal reality of two nighttime paramedics grabs you at the throat and doesn’t let go. The new Jean-Stéphane Sauvaire film is an infernal ride of double-shifts and bullying and death into the belly of the beast, the film pops, hits hard, the image is jumpy, the screams are loud, it’s a pressure-cooker, I came out of there traumatized and a little shaken. This is not the New York City I know. Had an inkling.
"The Last Face," starring Charlize Theron, Javier Bardem and Adèle Exarchopoulos and directed by Sean Penn, premiered in Cannes this morning. In this romance drama juxtaposed with a humanitarian action story Theron plays the director of an international aid agency who meets a Doctors Without Borders doctor (Bardem), as an armed conflict in Liberia drifts into full-on civil war.
In a past issue of the New Yorker’s Talk of the Town, actor Ted Danson talks to Elizabeth Kolbert—the magazine’s environment expert—about his work in the field of oceanography and marine conservation. He talks about the protection of oceans and marine life, about his concern over the fact that a year after the BP oil spill, offshore drilling is again being promoted. (Though why he should be disappointed by