Nearly four years ago, I watched one of the most incredible films I’ve ever seen at Sundance. Cedric Cheung-Lau took to the stage at a theater in central Salt Lake City to introduce “The Mountains Are a Dream That Call to Me,” which I described at the time as “hypnosis in motion.” I shook his hand after the screening, thanking him for this unique cinematic experience.

I named it my best film of 2020