Who knew we needed Borat as much as we apparently did? Well, welcome once again to 2020, a year that continues to surprise and anger in so many multitudinous ways that counting the reasons why has long since stopped being either fun or funny. But there’s probably no better time to laugh at how ridiculous everything is than now, and for that we can “thank” Sacha Baron Cohen. Cohen has resurrected Borat
Some critics have faulted as “too good” the new Aaron Sorkin film aired on Netflix after a short theater run. To be sure, it can be considered slick. It’s about the trial of the leaders of the unrest in Chicago during the August 1968 Democratic Party’s convention in Chicago by yippies, hippies, Black Panther and generally unkempt many thousands gathered in Chicago’s Lincoln Park. “Chicago 7” may be “too good” but it is mainly stunningly watchable.
Anne Hathaway appearing in a musical doesn't surprise me. Her entire Oscar hosting gig felt like a four-hour audition for Glinda the Good Witch in the upcoming movie musical for "Wicked." But who knew she could be so devastatingly good as Fantine, a woman struggling through poverty in France's revolutionary days who winds up forced to sell her teeth, hair and self to support her young daughter Cosette. Hathaway is going to
Could there be a better week for Sacha Baron Cohen to release a film called “The Dictator”? A few days ago, Cohen parked a camel in Cannes, in what seemed like the first act of a cult of personality. Pairing a touch of showmanship, a frisky film, and the spotlight of the festival, the star of “Borat” all but declared himself the worldwide ruler of comedy. Like many public rituals under totalitarians, “The Dictator” is long on stagecraft but a little
Kazakhstan on Monday made a public show of gratitude towards […]