Michelle Pfeiffer can do almost no wrong on screen, in my view, and I’m going to declare that it’s not her fault that the new film “French Exit” suffers from overambition and a trace of boredom despite her still-electrifying presence.

Not that she doesn’t lean into the role of Frances Price with considerable verve. A lifelong New York socialite, Frances is devastated to learn that her late husband has left her with little

Academy Award nominees Annette Bening (“The Kids Are All Right,” “American Beauty”) and Michelle Pfeiffer (“Murder on the Orient Express”) have signed on to star in director Gideon Raff’s (“Homeland”, “Tyrant”, “Dig”, and the upcoming “The Red Sea Diving Resort” and “The Spy” thriller “Turn of Mind.” Adapted by Pulitzer Prize winner Doug Wright (“I Am My Own Wife,” “Quills”) and based on Alice LaPlante’s

By now, film adaptations based on the oeuvre of the two most prolific British writers of crime fiction, Arthur Conan Doyle and Agatha Christie, form a respectable body. Of the latter, probably the best-known work remains “Murder on the Orient Express.” Today comes a new version by the, himself now almost venerable, Brit actor, Kenneth Branagh. From the get-go in this iteration, the actor/director makes no attempt to shake the

Few television-to-movie adaptations actually end up working out. So, it’s [...]

Have you heard of “People like Us”? It's by the same studio--Dreamworks--which had released “The Help.” "People" barely even meets that previous mediocre effort, however, and lacks the two name actresses who made "The Help" the film that it was. That "People" was written by the same scribes (Roberto Orci and Alex Kurtzman; they also directed it) who were behind the “Transformers” screenplay is no surprise: this is about as