The 74th Cannes Festival opened with a very unusual film on Tuesday, one that is slated to compete for the Palme D’Or, the top prize which this year will be given out by a jury headed by Spike Lee: “Annette,” by one Alex Christophe Dupont, otherwise known as Leos Carax (full disclosure: I haven’t read any of the press material for the film, on purpose, I wanted to soak up in the film’s energy. As it were, there’s little in the way of easily

IT’S ALIVE! The Cannes Festival, much like the sphinx rising [...]

For the theatrical release of two masterpieces by French filmmaker Leos Carax ("Holy Motors") Carlotta Films teams up with Le Cabinet de Curiosités at Maison Kitsuné in New York to create two unique artworks in the form of two film posters. These pieces will be specially created for this event for fans of Carax's films "Mauvais Sang" and "Boy meets girl."

Le Cabinet de Curiosités IV

“All God does is watch us and kill us when we get boring. We must never, ever be boring” (Chuck Palahniuk). I think that Chuck Palahniuk must be a fan of Leos Carax’s films. Because the diminutive French filmmaker’s “Holy Motors,” which is competing for the Palme D’Or, is never boring as his new film shows. “Holy Motors” represents everything that’s cinema ought to be: poetic, unpracticed in following convention and filled with mystery. He-