With artistry and imagination “Guillermo del Toro’s Pinocchio” arrives in theaters as one of the most stunningly original and pleasing films of 2022. With a marvelous and inventive screenplay from Patrick McHale, Matthew Robbins, and del Toro, the tale is moved to 1900s Europe as fascism takes hold. Woodworker Geppetto (David Bradley) is a beloved citizen

CHAMPAIGN-URBANA, Ill.—The final two days of Ebertfest which ended on Sunday featured some great films in addition to stellar guests who spoke about their craft. Mostly, the invited guests discussed what motivated them to create their art, and the organizers also testified to what drives some of them to program the films they do.

Chaz Ebert kicked off Friday’s

"Ghosts are real. That much I know." So begins Guillermo del Toro’s spellbinding dark fairy tale, CRIMSON PEAK. Set in the late 1900s it follows aspiring fiction writer Edith Cushing (Mia Wasikowska) as she falls for, and marries, a penniless, seductively handsome English Baronet, Sir Thomas Sharpe (Tom Hiddleston). Along with his older sister, Lucille (Jessica Chastain), Thomas brings Edith back from

Guillermo Del Toro is a kid again and this summer he's invited us into his room. Digging deep within 20th century pop-geek culture while exploring his beasty imagination ("Hellboy 2: the Golden Army"), Del Toro has turned out one of the most unlikely and eery films I've seen in a while. It had to be done, in a way, and he's done just that. And who better than him for the task of convincing us that a crack in the space-time continuum exists

As reported by Variety “Pinocchio” will be the first animated [...]

If we were loading cultural items onto a deep space vessel headed beyond the Milky Way and you wanted a prime example of the horror movie with a disturbed little girl (Bailee Madison) moves in with her father and stepmother in a threatening old mansion, a crazy secret murder in the basement, a grumpy groundskeeper who knows all the secrets, an oblivious father (Guy Pearce)