They didn’t raise their fists, they didn’t shout in the [...]

Bahar (Golshifteh Farahani) is commander of the Daughters of the Sun battalion in Kurdistan. They are preparing to free her city from the hands of Islamists and find her son who is behind enemy lines. A French journalist on assignment in the area, Mathilde (Emmanuelle Bercot, of "Mon Roi" fame, among others), joins their platoon to cover the offensive and help bring the spotlight on these women warriors. “Girls of the sun"

In Kurdistan, Bahar (Golshifteh Farahani) is commander of the Daughters of the Sun battalion. They are preparing to free her city from the hands of Islamists, hoping to find her son who is behind enemy lines. A French journalist, Mathilde (Emmanuelle Bercot, of "Mon Roi" fame, among others), joins their platoon to cover the offensive and bring attention to these women warriors. Strong women, who take charge of their own destiny

CANNES, France - “American Honey,” which I consider to be the best film out of this still-young Cannes Festival, played here last night. The Andrea Arnold-directed road movie stars newcomer Sasha Lane and Shia Labeouf and Riley Keough (Elvis’s granddaughter) and follows a crew of twentysomethings from all over the country (from Texas to Nebraska) who circle the mid-west selling

(from affiliate Iranian Film Daily) - “About Elly,” which stars Golshifteh Farahani (pictured) is finally getting a stateside limited release, well after the fact. Let’s remember that the year of release for this film is 2009. That’s six long years during which theater-going Americans were deprived of this slow-burning drama surrounding the mysterious disappearance of a woman vacationing at the beach with a group of friends.

After "If you die, I'll kill you" ("Si tu meurs, je te tue" in French) Kurdish filmmaker Huner Saleem has teamed up with Golshifteh Farahani again in this modern-day western set in a Kurdistan that's emerging from years of civil warring. In this second film with the Iranian actress Saleem subtly juggles epic with intimate, the tragic with the comical. And while he borrows from the genre's archetypes he also manages to avoid its pitfalls.

The Persian story goes, when your heart is filled with sorrow, find a patience stone or syngué sabour that will listen as you talk to it until it can take no more and bursts into pieces, lifting that weight from your shoulders and leaving you free. This well-known legend has been written up any number of times, including by Iranian novelist Sadegh Chubak, and filmed at least once, in 1968. It is also the basis of the novel by Atiq Rahimi, Syngué sabour, that in 2008