“We are two different creatures, right? You like the sound of crickets and I like the rattle of the taxis. You blossom in the sun and me, I come into my own under grey skies.” It’s no longer a secret that Woody Allen owns New York, is it? With a passion that fuels his creativity, Allen has turned the city into a canvas that transcends time and space, any attempt to imagine a time before or after, ... more >
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When Woody Allen examines New Yorkers’ neuroses it’s always something special; “A RAINY DAY IN NEW YORK”

CANNES FESTIVAL | Kelly Reichardt among this year’s jury members (FULL ANNOUNCEMENT)
Gender parity and multiculturalism are on the program at this year's Cannes Festival. Pierre Lescure and Thierry Frémaux have done their homework and they've taken the temperature. Quite right! This year’s program, which we reported on on April 18th after attending the press conference here in Paris, is gleaming with talent and may even earn the Cannes Festival a Nobel Peace Prize, with women ... more >

With “Mary Shelley,” Woman Behind Monster Directed by Woman Behind Camera
There were many films at the Tribeca Festival, many about women, and many others directed by women. “Mary Shelley,” starring Elle Fanning, is not only both, but perhaps was one of the best films at this year’s Tribeca Festival, which ended recently. As the title suggests, "Mary Shelley" tells the story of the nineteenth century-author who penned the horror classic “Frankenstein.” And in a case of ... more >

CANNES FESTIVAL, “How To Talk To Girls at Parties”
Two men at an Andre Balasz properties hotel step inside an elevator decorated in a gawdy baroque style. One says to the other, “so, Bob, can you tell me about that new John Cameron Mitchell film?” The other responds, “well, Malik, think Romeo and Juliet crossed with ‘Avatar’ meets ‘Hedwig and the angry inch.’ This encounter, one of the subterfuges my mind comes up, sometimes, to help me soldier on ... more >

20th century women, it’s primo turns and great American cinema!
The mood is melancholy, the road ahead unclear. Which may explain the slew of biographical, autobiographical novels and films in a meandering Proustian fashion that go for the past. And, just like Proust’s oeuvre, never boring but intriguing and beguiling at the same time. After the Norwegian Karl Ove Knausgaard’s six-volume memoir, “My Struggle,” the gorgeous Mike Mills film, “20th Century ... more >