[rating=1] Does a director as normally triumphant as Atom Egoyan deserve diatribes for a rare, but major, misstep? In the case of something as bad as "Chloe," the answer is yes. Egoyan has a knack for making convoluted stories flow, a skill that's all the more riveting because he often jumbles them into random order. The 1997 Russell Banks adaptation "The Sweet Hereafter" captures the ... more >